After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Wealthy Edward Morgan becomes charmed with a curly-haired orphan and her pretty older sister Mary and arranges to adopt both under the alias of "Mr. Jones." As he spends more time with them, he soon finds himself falling in love with Mary.
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Little Martha Jane, aka Little Miss Marker (Temple) is left with the bookmaker Sorrowful Jones by her dad as part of a bet on a horserace. Sorrowful (Menjou) and his group of fellow bookies... See full summary »
Priscilla Williams, a young girl living with her widowed mother and paternal grandfather at the post he commands in northern India, becomes enamored of military life and embroiled in brewing rebellion against the crown in the early 1900's.
C. Aubrey Smith
When her father, Captain Crewe, goes off to fight in the Boer War, young Sara Crewe is placed into the care of Amanda Minchin, the head of an exclusive private school for girls. Sara lives a wonderful life of a privileged child and is quite happy in her surroundings. When her father is listed as missing in action however, her life goes from one of plenty to that of a poor house maid. Mrs. Minchin agrees to keep her on at the school, but in the absence of her tuition payments, she has to work for her keep. She is soon cleaning out the fireplace and scrubbing floors and is dubbed the little princess by her former schoolmates. She also refuses to accept that her father is dead and prowls the hospitals in the hope of locating him. Luck - and Royal intervention - assist her in her quest.Written by
Great lengths were taken to make sure everything on film was period-correct for England in 1899. Production was halted when it was discovered that of the costumes Shirley Temple wore had fasteners which were not invented until 1908. See more »
On the letter Sara receives from her father, it has her name spelled with an "H" at the end ("Sarah"), but on her birthday cake her name is without the "H" ("Sara"). See more »
Why are they sending so many soldiers, daddy, if it's only going to be a little war?
To make those stubborn Boers take us seriously this time, my darling. When they realize Her Majesty intends to put a stop to their nonsense, they'll quiet down.
They'd better. Anyhow, when you get there, you'll stop them. Won't you, daddy?
I'll do my best, dear.
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This Shirley Temple feature is worth seeing for a number of very nice moments in the story of "The Little Princess". It might be a little longer than necessary, and the story development is sometimes uneven, which keeps it from achieving its full potential. It offers the young Temple a variety of material to work with, and she has some very good sequences.
For the most part, it follows the familiar story, though often embellished, particularly towards the end. The story and Temple's characterization give it a rather different feel from, for example, the silent version that starred Mary Pickford. Here, Temple projects much of her own persona, with her best moments coming with Arthur Treacher, who plays the easygoing brother of the stern headmistress. The character of Becky is still significant, but Temple does not ever have the rapport with her that Pickford and Zasu Pitts had in the earlier version.
As a result, it's a bit uneven overall, but for those who enjoy this kind of story, it's still worthwhile. The public domain print makes it somewhat difficult to evaluate the production end, although it clearly contained plenty of detail and color. It's a decent if unexceptional feature whose high points are usually worth waiting for.
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