Set in Cornwall where a young orphan, Mary, is sent to live with Aunt Patience and Uncle Joss who are the landlords of the Jamaica Inn. Mary soon realizes that her uncle's inn is the base of a gang of ship wreckers who lure ships to their doom on the rocky coast. The girl starts fearing for her life.Written by
Claudio Sandrini <firstname.lastname@example.org>
This movie takes place in Cornwall in 1819. See more »
When Trehearne and Mary hide behind a rocky outcrop after swimming away from the cave, the outcrop moves back and forth with the motion of the water. See more »
Can you make out the beacon light?
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[Prologue] "Oh Lord, we pray thee -- not that wrecks should happen -- but that if they do happen Thou wilt guide them -- to the coast of Cornwall -- for the benefit of the poor inhabitants." So ran an old Cornish prayer of the early nineteenth century, but in that lawless corner of England, before the British Coastguard Service came into being . . . . . . . . . . there exited gangs who, for the sake of plunder deliberately planned the wrecks, luring ships to their doom on the cruel rocks of the wild Cornish coast. See more »
There's about eight minutes of footage missing from the US Laserlight DVD release of "Jamaica Inn." The missing footage should appear at the end of chapter 14 (approx 00:51:55). As Jem and Sir H leave the room, the DVD cuts to Mary, Patience and Joss at Jamaica Inn. There's no explanation as to how Mary returned there, or why Sir H and Jem (now dressed in a military uniform) are banging on the door outside. The following DVDs are known to have footage missing:
R0 Laserlight Video/Delta Entertainment (USA, 2000)
R0 Westlake Entertainment Group (USA, 2004)
R0 Diamond Entertainment (Alfred Hitchcock: Collector's Edition Volume 1, USA, 2003)
The following DVDs are known to have the footage intact:
While this picture is not one of Hitchcock's more memorable pieces, it is nevertheless well worth a look simply to view the acting genius of Charles Laughton. The man is larger than life as the revolting yet oddly fascinating Sir Humphrey and provides the audience with far more insight into the character than a lesser actor might have done. This is not simply a one-dimensional villain that we are so used to seeing in British movies of this period. In addition to a superb reading of the script, Laughton is clearly ad-libbing in various scenes, further breaking down hitherto scrupulously maintained boundaries between audience and actor. I urge anyone who is weary of today's usual line-up of blockbuster big names to observe a true master at work and wonder where it all went wrong!
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