A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.
Dawn Dodd
- Little Girlas Little Girl
- (uncredited)
Dee Dodd
- Little Boyas Little Boy
- (uncredited)
Going home to Stockholm after his latest tour in the US, renowned concert violinist Holger Brandt will have to look for a new accompanist for his next tour in a few months time as his long time accompanist and friend Thomas Stenborg is retiring. Not really noticing her until she plays at a social gathering, Holger believes he's found Thomas' replacement in Anita Hoffman, his adolescent daughter Ann Marie's piano teacher who is an accomplished pianist in her own right. As Holger and Anita begin to spend more time together, they fall mutually in love with each other. Despite their love, they have to decide what to do, not only about the upcoming tour but about their feelings for each other in not wanting those feelings to be the cause of the end of Holger's family life, which not only means his marriage to his wife Margit, who can see what is happening between her husband and Anita, but also his relationship with their two children, especially Ann Marie who idolizes her father. Anita will also have to view her love for Holger in relation to her own career as she is in line for a prestigious scholarship. With all these factors, they will find if their love will sustain their relationship, or if each will only be an intermezzo in the other's life. —Huggo
Top review
The ultimate chick flick
"Intermezzo" is a beautifully photographed, bittersweet story about a the love affair between a concert violinist (Leslie Howard) and a pianist (Ingrid Bergman). This was Bergman's second time at the role, the first time being in her native Sweden. This film catapulted her to fame. Her natural beauty and freshness is shown to wonderful advantage here, as is her sensitive acting in the role of Anita Hoffman.
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.
helpful•111
- blanche-2
- Apr 15, 2006
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