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Montgomery Clift movies: 12 greatest films, ranked worst to best, include ‘A Place in the Sun,’ ‘From Here to Eternity’

  • Gold Derby
Montgomery Clift movies: 12 greatest films, ranked worst to best, include ‘A Place in the Sun,’ ‘From Here to Eternity’
Montgomery Clift would’ve celebrated his 98th birthday on October 17, 2018. The iconic actor gave only a small number of onscreen performances before his untimely death in 1966 at the age of 45. Yet several of those titles remain classics. In honor of his birthday, let’s take a look back at 12 of his greatest films, ranked worst to best.

A product of the Actor’s Studio, where he studied under Lee Strasberg and Elia Kazan, Clift had a successful Broadway career before moving to Hollywood. Among his notable stage credits was the role of Henry in Thornton Wilder’s Pulitzer Prize-winning “The Skin of Our Teeth.” Like James Dean and Marlon Brando, he was one of the original method actors, calling upon past memories and experiences to inform his performances.

He came to the attention of movie audiences in 1948 with a pair of releases: Howard Hawks‘ western “Red River” and Fred Zinnemann‘s WWII drama “The Search.
See full article at Gold Derby »

Spike Lee Shares How a Love of Connery’s Bond and Bruce Lee Made Him Realize ‘People Have to Tell Their Own Stories’ – Exclusive

Spike Lee Shares How a Love of Connery’s Bond and Bruce Lee Made Him Realize ‘People Have to Tell Their Own Stories’ – Exclusive
Held last month at San Francisco’s Castro Theater, Sffilm paid tribute to prolific filmmaker Spike Lee, complete with a screening of Lee’s latest film, “BlacKkKlansman,” followed by an intimate and wide-ranging chat with the filmmaker, as moderated by film scholar David Thomson. During the talk, which spanned nearly 45 minutes, Lee opened up about his early cinematic influences, including his affection for James Bond films and the career of Sidney Poitier. Asked what his favorite films were growing up Lee didn’t miss a beat: “James Bond! Sean Connery!,” he said. “‘Dr. No,’ ‘Thunderball,’ ‘From Russia With Love.'”

Yet, even as a child, the “Do the Right Thing” filmmaker recognized that his people, community, and experiences weren’t always being reflected on-screen. “They were almost all the films, because just going from Brooklyn, New York, … just the beauty that I could see of our community, just looking out the window,
See full article at Indiewire »

CBS Television City To Be Sold To La Real Estate Firm Hackman Capital

CBS has selected La real estate investment firm Hackman Capital Partners as the winning bidder for the company’s iconic Television City facility near the corner of Fairfax and Beverly, a source familiar with the deal tells Deadline.

The transaction is not yet final, but the value is said to be well north of $700 million. Word first surfaced last year that CBS was considering shopping the 25-acre site, where shows like All in the Family was produced and early television figures like Jack Benny performed.

CBS declined to comment.

Hackman has backed several notable developments in La, including the current expansion and modernization of Culver Studios. The home to classic Hollywood productions like Gone with the Wind and soon to be the Southern California base of Amazon.

Real estate values have been surging, especially in the neighborhood around the storied Television City site, where about a half-dozen shows including The Late Show with James Corden,
See full article at Deadline »

Netflix To Open Albuquerque Production Hub In Snub To L.A.

  • Deadline
Netflix is opening a production hub in Albuquerque, where it plans to shift production for some of its films and TV shows, in an announcement that represents a snub of Los Angeles.

The streaming giant said it’s in final talks to acquire Abq Studios, a facility with eight sound stages, production offices and a back lot in Albuquerque’s Mesa Del Sol. Netflix says it will use the new studio for production of its irreverent apocalypse dramedy Daybreak, supernatural drama Chambers, and epic, suspenseful drama Messiah.

The state of New Mexico offered Netflix incentives to locate in the self-proclaimed “land of enchantment,” extending $10 million in funding through the Local Economic Development Act. The City of Albuquerque ponied up another $4.5 million.

“After years of hard work to cut taxes and make New Mexico business-friendly we’re seeing incredible results,” New Mexico Gov. Susana Martinez said in a statement, saying Netflix
See full article at Deadline »

Oscar Flashback: The 11 films that won one of the Big Five, including ‘Sunset Boulevard,’ ‘Chinatown’

Oscar Flashback: The 11 films that won one of the Big Five, including ‘Sunset Boulevard,’ ‘Chinatown’
This article marks Part 2 of the Gold Derby series reflecting on films that contended for the Big Five Oscars – Best Picture, Best Director, Best Actor, Best Actress and Best Screenplay (Original or Adapted). With “A Star Is Born” this year on the cusp of joining this exclusive group of Oscar favorites, join us as we look back at the 43 extraordinary pictures that earned Academy Awards nominations in each of the Big Five categories, including the following 11 films that scored a single prize among the top races.

More than eight decades prior to Bradley Cooper’s take on the timeless tale, the first “A Star Is Born” (1937), headlined by Fredric March and Janet Gaynor, became the third motion picture, following “Cimarron” (1931) and “It Happened One Night” (1934), to earn nominations in the Big Five Oscar categories.

At the 10th Academy Awards ceremony, however, neither March nor Gaynor emerged triumphant, losing in their
See full article at Gold Derby »

‘A Star Is Born’: How Does the Music in the Previous Films Stack Up?

  • Variety
‘A Star Is Born’: How Does the Music in the Previous Films Stack Up?
Hollywood’s allure, insatiable ambition, and the price of fame are at the center of one of the most oft-told stories in show-biz history: “A Star Is Born.” The latest edition, with Bradley Cooper and Lady Gaga, is the fourth to be made, and the third to be music-centric. Variety has already written many articles about that one, which is released today — read Owen Gleiberman’s review here — but how do the previous renditions stack up?

1937

Producer David O. Selznick’s original rendering won Oscars for its cinematography and its original story. While the story was written by director William A. Wellman and novelist Robert Carson, many of its sharpest and most cutting lines are believed to have been penned by famed writer Dorothy Parker and husband Alan Campbell (who were nominated in a separate Oscar category but didn’t win).

Janet Gaynor played Esther Blodgett-turned-Vicki Lester, a starry-eyed
See full article at Variety »

‘Love, Simon’: The best gay couple in movie history?

‘Love, Simon’: The best gay couple in movie history?
There have been plenty of iconic heterosexual couples in movies: from Jack and Rose in “Titanic” and Baby and Johnny in “Dirty Dancing” all the way back to Ilsa and Rick in “Casablanca” and Rhett and Scarlett in “Gone with the Wind.” And there are also loads of homosexual cou- oh, wait, no, that’s not right.

But at the least the few gay duos that have broken through are genuinely adored couples. And each year, we get a new one, so there’s hope on that front. This year’s addition to the slim list comes from “Love, Simon” with Simon (Nick Robinson) and his e-mail lover Blue.

But where do they rank amongst the other gay couples of film history? Choose your favorite couple in the poll below! And if your personal pick isn’t on the list, let us know in the comments section.

Discuss Join the
See full article at Gold Derby »

Orson Welles (‘The Other Side of the Wind’) could be first-ever posthumous Best Director Oscar nominee

Orson Welles (‘The Other Side of the Wind’) could be first-ever posthumous Best Director Oscar nominee
Over his remarkable career in film, Orson Welles was the recipient of a trio of Oscar nominations, all for “Citizen Kane” (1941). That marked his feature film debut and is widely considered one of the greatest motion pictures ever produced. He, alongside Herman J. Mankiewicz, triumphed in Best Original Screenplay on the big night and, nearly three decades later, Welles earned an Honorary Oscar for his contributions to cinema.

Though Welles died in 1985, the filmmaker once again finds himself the talk of Oscar season, this time posthumously, with his final picture, “The Other Side of the Wind.”

The film, which made its world premiere at this year’s Venice Film Festival, stars two-time Oscar winner John Huston (who died in 1987) as Jake Hannaford, a washed-up, hard-drinking Hollywood director who vies to revive his career with an experimental film, full of sex and violence. Shot over several years in the 1970s, “The Other Side of the Wind
See full article at Gold Derby »

Peter Bart: Novels New And Old Booking Hollywood Gigs Thanks To Streamers And ‘Crazy Rich Asians’

  • Deadline
With Crazy Rich Asians closing on $200 million at the worldwide box office, its success continues to puncture several myths: that spandex heroes own the summer, that rom-coms can’t be cross-cultural, and that comics must provide the sole source material for franchises.

The surprise hit also points up Hollywood’s growing dependency on what some considered an arcane genre — the novel. Warner Bros was quick to announce that Kevin Kwan’s Rich novels will provide the basis for a new franchise (this was the studio obsessed with DC comics). Meanwhile, television producers and development executives are intensely competing for the rights to other once-obscure novels, having realized they lend themselves ideally to longer formats and to other streamer product.

All of this is good news for novice novelists – even several stars and filmmakers have tried their hands at fiction this year. It’s also relevant to those select companies like Random House Studio that develop scripted television by connecting published fiction to the fast-changing Hollywood universe.

Hollywood has always had its eye on revered literary titles, of course – witness The Great Gatsby, which was made (badly) four times. Movies based on Lord of the Rings and Gone with the Wind were giant hits, but some of Hollywood’s best movies stemmed from non bestsellers, such as Midnight Cowboy and In the Heat of the Night.

Hollywood’s appetite in genre and style has broadened in recent times, according to Peter Gethers, an accomplished book editor who is also Evp and general manager of Random House Studio, which is backed by Fremantle and Bertelsmann. The company has sold scripted projects to HBO, TNT and Showtime among others, along with three studio feature films.

Currently in development there as feature material are such novels as Social Creature by Tara Burton, a thriller about an ambitious career woman who winds up committing murder (it’s at Lionsgate); and Longbourn by Jo Baker, a Jane Austen-mode period piece set up at StudioCanal. Neither were runaway bestsellers but still found ready buyers. Random House Studio under Gethers also has optioned several books by Paulo Coelho as potential one-hour TV series. A Brazilian writer, Coelho’s books have sold more than 260 million copies, but The Alchemist, his best-known title, has proven difficult to translate because of its ethereal story line. In concert with Original Productions, Random House Studio has also moved aggressively into the documentary business.

From the point of view of Gethers, who also is the author of 12 novels, this moment in the media business holds out great opportunity for writers who may have struggled in a previous era. “Genre books ranging from The Thin Man to Maltese Falcon have always been ideal grist for films,” he points out. “The big difference today is that genre categories have shifted to TV, which eats up so much material that there’s opportunity for non-bestselling books. There’s room to fully develop characters and themes; the TV translation of the book doesn’t have to be crammed into two hours.”

Many of today’s “hot” filmmakers, of course, still rely on original material as the basis for their projects. The story of Roma was the creation of Alfonso Cuarón, while A Star Is Born, now in its fourth iteration, is credited to an original 1937 story by director William Wellman and three writers, one of whom was the legendary critic Dorothy Parker.

In a few famously reverse cases, however, the writing of the novels themselves was actually funded by studios for the purpose of translating them into films. The classic example was Love Story by Erich Segal; Paramount bought the script, then paid the author to novelize it. The studio also spent heavily on marketing the novel, with the promotional materials avoiding mention that the project originated as a script — a revelation that would have blemished its legitimacy. In the eyes of the literary establishment, it’s acceptable to film a novel, but not to manufacture one.
See full article at Deadline »

Remembering Aretha Franklin, Barbara Harris, Neil Simon and More Reel-Important People We Lost in August

  • Movies.com
Reel-Important People is a monthly column that highlights those individuals in or related to the movies that have left us in recent weeks. Below you'll find names big and small and from all areas of the industry, though each was significant to the movies in his or her own way. Andre Blay (1937-2018) - Producer. His movies include John Carpenter's They Live, Prince of Darkness and Village of the Damned as well as the 1988 remake of The Blob. He died on August 24. (Hometown Weekly) Silvano Campeggi (1923-2018) - Poster Designer. His iconic movie posters include those for Gone With the Wind, Gigi, Ben-Hur, Singin' in the Rain, An American in Paris, West Side Story, Breakfast at Tiffany's, Exodus and Casablanca. He died on August 28. (La Repubblica) Mary Carlisle...
See full article at Movies.com »

‘Bel Canto': Inside the Beloved Novel’s Long Path to the Big Screen (Guest Blog)

  • The Wrap
‘Bel Canto': Inside the Beloved Novel’s Long Path to the Big Screen (Guest Blog)
There are numerous ways to get a book to screen: by gut instinct, by pre-emptive calculation, by sheer luck. But the best ones may be those done the right way for the right reason, out of pure passion. Case in point: “Bel Canto,” which hits theaters today.

The novel, by Ann Patchett, became a best-seller not long after it was published in 2001. It tells the harrowing tale of an opera star and others of different nationalities being held hostage in a mansion in an unnamed South American country. Even (or perhaps especially) after 9/11, people continued to read this tale of terrorism. What is rather amazing is that it has taken over 16 years to be adapted to the screen.

Not that someone wasn’t trying throughout those years. When producer Caroline Baron read the novel, she instinctively believed she was the one to turn it into a movie. She had produced
See full article at The Wrap »

Ingrid Bergman movies: 15 greatest films, ranked worst to best, include ‘Casablanca,’ ‘Gaslight,’ ‘Notorious’

  • Gold Derby
Ingrid Bergman movies: 15 greatest films, ranked worst to best, include ‘Casablanca,’ ‘Gaslight,’ ‘Notorious’
August 29 marks the 103rd anniversary of the birth of legendary film star Ingrid Bergman. Born in Stockholm, she was working in Swedish and German films during the 1930s, when one of her Swedish films, 1936’s “Intermezzo,” caught the eye of powerful Hollywood producer David O. Selznick. He announced that he planned to remake “Intermezzo” in English and would bring Bergman to Hollywood to star. The only problem was that Bergman didn’t speak English, but she turned out to be a fast learner, and the combination of her work ethic and her radiant beauty put Bergman well on her way to becoming an authentic movie star.

Not only did Bergman become an audience favorite, but her acting skills earned her the respect of moviegoers and Hollywood producers alike. In the course of her four-decade film career, Bergman was nominated for seven Academy Awards, winning three for “Gaslight,” “Anastasia” and “Murder on the Orient Express
See full article at Gold Derby »

Podcast: BlacKkKlansman plus (sigh) a New Oscar Category

This week Nathaniel R, Murtada Elfadl, and Chris Feil talk Oscar changes and Spike Lee's new joint.

Index (1 Hour and 2 minutes)

00:01 Spike Lee's new joint BlacKkKlansman. He's still got it. Also we talk about how he uses Gone With the Wind, and Birth of a Nation.

15:30 Oscar's recent announcement about the "popular achievement category" and all the problems we imagine it will cause. We are not pleased but we do offer our own fixes to issues of audience's being more into the Oscars.

40:00 Film Festival excitement Tiff and Nyff plus The Favourite, and Peterloo rumors.

47:00 We return to Spike Lee and list our three favorite scenes in BlacKkKlansman.

54:00 Fall film chatter: On the Basis of Sex, Mary Queen of Scots, and The Miseducation of Cameron Post versus Boy Erased

60:00 Goodbyes!

You can listen to the podcast here at the bottom of the post.
See full article at FilmExperience »

AMPAS Announces Changes To Academy Awards Telecast

  • CinemaRetro
"Lawrence of Arabia". "The Godfather". "Gone with the Wind". "Casablanca". Is it time for "Ant-Man and the Wasp" to also enjoy Oscar gold?

By Lee Pfeiffer, Cinema Retro Editor-in- Chief

The Academy of Motion Picture Arts & Sciences has announced changes to its annual Oscars broadcast. The event will be confined to three hours and certain awards will not be seen live on the broadcast. Instead, they will be given out during commercial broadcasts then edited into a segment that will be shown later in the telecast. After all, who wants to see some science-obsessed geek get honored for inventing something that enhanced the film industry when, instead, we can all enjoy some innovative ads for erectile dysfunction? Additionally, in an admitted attempt to gin up ratings, AMPAS will introduce a new awards category for outstanding achievement in popular film. That's right, movie lovers...you might live to see the day
See full article at CinemaRetro »

Twitter Reacts to New Oscars Popular Film Category: ‘This Is So Lazy’

  • Variety
The Academy’s new Oscars popular film category isn’t so popular.

Many have taken to social media to criticize Academy members’ Wednesday announcement to add the new bracket, which some view as an excuse not to nominate critically acclaimed blockbusters like “Black Panther” for best picture.

Variety journalists Meredith Woerner, Stuart Oldham, and Kristopher Tapley were among the first to comment on the news, calling the addition “lazy,” “staggeringly ham-fisted,” and “a Huge step back for genre film.”

“So…does that mean that films like ‘Black Panther’ and ‘Mission Impossible’ can’t compete for Best Picture?” Oldham mused.

So…does that mean films like 'Black Panther' and 'Mission Impossible' can't compete for Best Picture? https://t.co/ed4NfFcflX

— Stuart Oldham (@s_oldham) August 8, 2018

The Academy has a long reputation of snubbing hit films whose genres aren’t usually considered Oscar material. Last year, “Wonder Woman’s
See full article at Variety »

‘BlacKkKlansman’ Review: Spike Lee Delivers a Hellraising Masterpiece

‘BlacKkKlansman’ Review: Spike Lee Delivers a Hellraising Masterpiece
Heads up: Spike Lee is coming at you with his greatest and most galvanizing movie in years. BlacKkKlansman is right up there with Do the Right Thing and Malcolm X in the Spike’s Joint pantheon of game-changers. For starters, it gets your blood up about the toxic and enduring power of racism. Based on the true story of Ron Stallworth (John David Washington), the first African-American cop on the Colorado Springs police force, the film shows how Ron managed to infiltrate the Ku Klux Klan and righteously screw with it from the inside.
See full article at Rolling Stone »

Hollywood’s Sorry Legacy: D.W. Griffith’s ‘The Birth of a Nation’

  • Variety
Hollywood’s Sorry Legacy: D.W. Griffith’s ‘The Birth of a Nation’
Some people see history as a linear progression, but Hollywood offers plenty of evidence that it’s cyclical. Spike Lee’s “BlacKkKlansman,” which opens Aug. 10, is based on true events in the 1970s, but it reflects the current battles over the rise of white supremacists. Back on Jan. 8, 1958, Variety critic Robert J. Landry wrote about the then-topical firestorm over integration, pointing out parallels to the 1915 D.W. Griffith film “The Birth of a Nation.” Landry said Griffith combined “the twin nightmares of folklore in America: rape and race.” He concluded sadly, “This film is woven inextricably into the tapestry of the American film industry.” Nobody tracked box office receipts then, but Landry estimated its worldwide gross was about $50 million, beating the official all-time champ, “Gone With the Wind” ($33.5 million). In other words, there was a huge audience for a film with the stupefying message that the Ku Klux Klan was
See full article at Variety »

Rare ‘The Empire Strikes Back’ Poster Sells for $26,400

  • The Wrap
A rare “Star Wars” concept poster for “The Empire Strikes Back” has sold for $26,400, making it the most expensive movie poster from the franchise ever sold in an auction.

According to Heritage Auctions, the poster was expected to sell between $5,000 and $10,0000. A long-time pop culture collector, who asked to remain anonymous, reportedly purchased the poster on Sunday in Dallas.

“This poster is considered to be one of the more rare posters in the entire Star Wars trilogy,” said Grey Smith, director of vintage posters at Heritage Auctions, in a statement. “This poster is unique as it features the complete Kastel artwork in the original color palette for the second in George Lucas’ trilogy.”

Also Read: Leia Returns: 'Star Wars: Episode IX' Will Use 'Previously Unreleased Footage' of Carrie Fisher

According to Heritage, the poster was a trial run by artist Roger Kastel, who took inspiration for the print
See full article at The Wrap »

Meet Me at the Astor

CineSavant poaches on Greenbriar Picture Shows territory with a quick slideshow of photos from New Yawk, New Yawk, where once upon a time, any old film release might get a gigantic ‘your name in lights’ opening on the Great White Way.

This photo idea won’t be a trend at CineSavant, but it is a welcome break. It came about because long-time correspondent ‘B’ wanted to assure me that some movies I had described as marginal, actually opened big in New York. To prove to me that the Louis De Rochemont social issue movie Lost Boundaries wasn’t a micro-release seen by nearly nobody (which seems to be the fate of so many pictures today), “B” sent along this color photo of the gigantic electric billboard at the Astor Theater, presumably in early July of 1949.

The Astor Theater

“B” wrote, “Back in the day — when ‘The Great White Way’ was
See full article at Trailers from Hell »

Love Island’s Dani Dyer to star in Heckle

She may be better known for her recent stint on Love Island and being the offspring of cockney wide-boy Danny Dyer, but Dani is also an actress and her next feature project comes in the form of psychological thriller Heckle.

Heckle tells the tale of a stand-up comedian’s encounter with an obsessed audience member that takes a spine-chilling turn.

Directed by Emmy-nominated Martyn Pick, the cast also includes music icon Toyah Wilcox, Hellraiser‘s Nicholas Vince, Facebook sensation Stuggy and Clark Gable III (grandson of the Gone With the Wind star).

Before going into the Love Island villa, Dyer said:

“I had such fun filming Heckle! It was an amazing project to be a part of, and I can’t wait for everyone to see it.”

Also in the news – Netflix release first look at Helena Bonham Carter and Ben Daniels in The Crown

Speaking of Dani’s involvement,
See full article at HeyUGuys »
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