8.2/10
254,816
763 user 173 critic

Gone with the Wind (1939)

Trailer
1:55 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

ON DISC
A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.

Directors:

Victor Fleming, George Cukor (uncredited) | 1 more credit »

Writers:

Margaret Mitchell (story of the old south "Gone with the Wind"), Sidney Howard (screenplay)
Reviews
Popularity
1,007 ( 107)
Top Rated Movies #160 | Won 8 Oscars. Another 10 wins & 9 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Casablanca (1942)
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A cynical nightclub owner protects an old flame and her husband from Nazis in Morocco.

Director: Michael Curtiz
Stars: Humphrey Bogart, Ingrid Bergman, Paul Henreid
Ben-Hur (1959)
Adventure | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

When a Jewish prince is betrayed and sent into slavery by a Roman friend, he regains his freedom and comes back for revenge.

Director: William Wyler
Stars: Charlton Heston, Jack Hawkins, Stephen Boyd
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A spoiled heiress running away from her family is helped by a man who is actually a reporter in need of a story.

Director: Frank Capra
Stars: Clark Gable, Claudette Colbert, Walter Connolly
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A silent film production company and cast make a difficult transition to sound.

Directors: Stanley Donen, Gene Kelly
Stars: Gene Kelly, Donald O'Connor, Debbie Reynolds
Citizen Kane (1941)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance.

Director: Orson Welles
Stars: Orson Welles, Joseph Cotten, Dorothy Comingore
Adventure | Drama | War
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

Director: David Lean
Stars: William Holden, Alec Guinness, Jack Hawkins
Rebecca (1940)
Drama | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A self-conscious bride is tormented by the memory of her husband's dead first wife.

Director: Alfred Hitchcock
Stars: Laurence Olivier, Joan Fontaine, George Sanders
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Director: David Lean
Stars: Peter O'Toole, Alec Guinness, Anthony Quinn
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

When two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in.

Director: Billy Wilder
Stars: Marilyn Monroe, Tony Curtis, Jack Lemmon
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Director: Elia Kazan
Stars: Marlon Brando, Karl Malden, Lee J. Cobb
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A naive man is appointed to fill a vacancy in the United States Senate. His plans promptly collide with political corruption, but he doesn't back down.

Director: Frank Capra
Stars: James Stewart, Jean Arthur, Claude Rains
Vertigo (1958)
Mystery | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.

Director: Alfred Hitchcock
Stars: James Stewart, Kim Novak, Barbara Bel Geddes
Edit

Cast

Cast overview, first billed only:
Thomas Mitchell ... Gerald O'Hara
Barbara O'Neil ... Ellen - His Wife (as Barbara O'Neill)
Vivien Leigh ... Scarlett - Their Daughter
Evelyn Keyes ... Suellen - Their Daughter
Ann Rutherford ... Carreen - Their Daughter
George Reeves ... Brent Tarleton - Scarlett's Beau
Fred Crane ... Stuart Tarleton - Scarlett's Beau
Hattie McDaniel ... Mammy - House Servant
Oscar Polk ... Pork - House Servant
Butterfly McQueen ... Prissy - House Servant
Victor Jory ... Jonas Wilkerson - Field Overseer
Everett Brown ... Big Sam - Field Foreman
Howard C. Hickman ... John Wilkes (as Howard Hickman)
Alicia Rhett ... India - His Daughter
Leslie Howard ... Ashley - His Son
Edit

Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Now in 70mm. wide screen and full stereophonic sound! [reissue] See more »

Genres:

Drama | History | Romance | War

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English

Release Date:

17 January 1940 (USA) See more »

Also Known As:

Lo que el viento se llevó See more »

Edit

Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend USA:

$1,192,593, 28 June 1998, Limited Release

Gross USA:

$198,676,459

Cumulative Worldwide Gross:

$400,176,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

Stereo (1939 Reissue) (Western Electric Sound System) (Stereo)| Perspecta Stereo (1939 Reissue) (Perspecta Sound®)| 4-Track Stereo (1939 Reissue) (Stereo)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The supporting character Mammy plays little part in subsequent novels. She dies very early in the events of sequel novel "Scarlett" (1991) See more »

Goofs

When Scarlett meets Frank Kennedy in the hospital, a water pitcher appears out of nowhere. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Connections

Referenced in 2001 Maniacs: Field of Screams (2010) See more »

Soundtracks

When Johnny Comes Marching Home
(1863) (uncredited)
Written by Louis Lambert
(Pseudonym for Patrick Sarsfield Gilmore)
In the score at Gettysburg and other sections
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Potpourri of Vestiges Review: An American magnum opus which must be watched and often, and by those who understand cinema
8 July 2011 | by murtaza_mmaSee all my reviews

Margaret Mitchell's Gone with the Wind, in its true essence, is a case study on the Old American way of living where pride and honor were the very essence of human existence. Victor Fleming's rendition of the classic novel, a classic within its own right, does full justice to the themes propagated by Mitchell's evocative masterpiece. In the words of Mitchell herself, Gone with the Wind is the story of the people whose gift of gumption gave them a definitive edge to endure the tribulation and throes of the American Civil War vis-à-vis those who lacked an inner resolve and determination needed for survival.

Scarlet O'Hara, the well bred, haughty, tempestuous and opportunistic protagonist of the saga, is an ostensibly flawed individual whose inexorable urge to placate her ego and realize her fancies appears far stronger than her adherence to any credence pious to her people and relevant to her time. Her scintillating charm and unrestrained zeal not only make her an object of desire for her male counterparts but also an object of envy for the girls around her.

Vivian Leigh perfectly fits into the caricature of Scarlet O'Hara. She makes full use of her talent, courage and guile to portray a part that requires subtlety, brusqueness and poise in equal parts. It may sound like a hyperbole, but no other actress seemed better equipped to play the part a southern belle than Leigh herself, who won not one but two Oscars while playing one: first for her portrayal of Scarlet O'Hara and second for portraying Blanche DuBois in A Streetcar Named Desire opposite Marlon Brando. In fact, her portrayal of Scarlet O'Hara, in which she perfectly blends panache, poignancy and peremptoriness, is arguably the greatest portrayal by a female lead in cinematic history. Leigh uses her on-stage experience to improvise in order to add new dimensions and complexities to Scarlet's caricature, which according to the novel was mostly one dimensional: out-and-out bad. Scarlet's stubbornness and her impish obsession for a conformist like Ashley, who is not only indifferent to her feelings but also incapable of reciprocating the passion and zeal with which she pursues him, represent just one dimension of her multifaceted self, which is revealed layer by layer with the progression of the narrative. The viewer is gifted to see Scarlet in various avatars: a usurper, an egomaniac, a damsel, a nemesis, a menace, a guardian, a savior, a patriot, a fighter and most importantly as a quintessence of womanhood.

Clark Gable as Rhett Butler perfectly complements Vivian Leigh's larger than life portrayal. He is an outright reprobate, an unscrupulous opportunist whose life revolves around making money and pursuing carnal pleasures. However, behind this facade, just like Scarlet, there is a human capable of love, and worthy of being loved. These unobtrusive yet obvious similarities make Scarlet and Rhett a perfect match for each other. The subtle chemistry and tension between the two protagonists give the story its impetus and resonant charm. The rest of the cast has given exemplary performances with a special mention of Olivia de Havilland, who as Melanie is a paragon of love, humility and forgiveness. She provides a striking contrast to Scarlet's caricature and represents a more traditional picture of womanhood.

The movie's direction, cinematography, editing and music are all top notch and it is the great synergy of all these elements that makes the movie an extravaganza and an undisputed master piece, one to be savored till eternity. The movie is an amalgam of scenes, high on emotion and drama, which keeps the viewer absorbed throughout. The scene in which Scarlet's father tells her the importance of mother land, deeming it as the only thing worth fighting for, is pure gold. Other scenes that come close to matching its brilliance include the one in which Scarlet performs the duties of an obstetrician to help Melanie give birth to her child, and the one in which Scarlet pledges to protect Tara till her last breath. The movie also has an amazing repertoire of dialogs that are delivered with a nice mix of finesse and accuracy. Butler's famous dialog in which he says to Scarlet, "You should be kissed and often, and by someone who knows how," also happens to be one of all time favorite.

The movie, especially its anti-climatic ending, brings tears to eyes and leaves the viewer overwhelmed as he experiences a rainbow of different emotions, being awestruck by the tremendous impact of the journey that he is vicariously made to undergo.

PS. Gone with the Wind is undoubtedly one of cinema's greatest marvels and is a living testament to cinema's timelessness, and its limitless potential. A must watch for everyone. 10/10

http://www.apotpourriofvestiges.com/


65 of 82 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 763 user reviews »

Contribute to This Page



Recently Viewed