After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <firstname.lastname@example.org>
The New York City premiere at the Capitol Theatre on 19 December 1939 was telecast on NBC's experimental television station W2XBS, the first film premiere to be so documented. See more »
When Big Sam is supposed to be driving Scarlett away from her attackers at Shantytown, the aerial shot shows he is not in the cart. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
George Reeves is credited as playing the part of Brent Tarleton, and Fred Crane is billed as Stuart Tarleton. This is incorrect: Crane played Brent, and Reeves played Stuart. See more »
Issued in Argentina by MGM in 1984 on VHS (in two cassettes) with the opening original prologue with a special one for Foreign versions explaining the circumstances leading to the American civil war. This film went into the public domain in Argentina between 1989 and 1995, and during those years several minor video editors published their own versions (usually lifting them from American editions) and with much more quality than what MGM did in 1984. Several of this companies issued the VHS on a single cassette (the N-PAL color system allowed this), although removing the intermission and the exit music. In 1986, for its second Argentinean TV exhibition two different versions were simultaneously televised. LS85 TV Canal 13 of Buenos Aires used standard dubbed in Spanish print that has also been used by Turner Entertainment and, now, Warner Bros. At the same, on another channel, LS86 TV Canal 2 used a different print, without permission from the copyright owners: the print used was an older dubbed version from Spain, probably lifted from an MGM video edition, featuring all of the titles and signs in the entire film in Spanish. The source from that print was a company called VEA (Video Editora Argentina) that had a partnership with the television station at the time. See more »
A perfect epic movie with a great story and a superb playing cast and one of the biggest productions imaginable. Like Ben Hur and War and Peace a classic for all eternity.
A world is going down, a new world is rising out of the ashes of the gone - melancholy, fear, the sacrifice, and hope of a whole generation fighting and suffering in the Amercian Civil War.
In our troubled times, where war and terror are present almost in every corner of our world and in times where the status quo seems to be a faster and faster-going constant stream and faster-going flow, where nobody can be sure or predict what the future ahead may bring to us, a movie more relevant than most people think.
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