After settling his differences with a Japanese P.O.W. camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <firstname.lastname@example.org>
While Mammy and Scarlett are arguing about turning the fancy drapes into the green dress, Mammy says "Who's that, a Yankee?" Her face is visible in the mirror, but her mouth never moves. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »
Foreign versions of the film included a scrolling text prologue to explain the circumstances leading to the American civil war. See more »
Every time I watch this film, and I've seen it more times than I can remember, I'm always astonished by the freshness of the story, the power of the emotions it conveys and the beautiful, detailed images of a time long gone. That this film was made in the 1930's is almost incomprehensible to me. The challenges that had to be overcome in order to bring it to life must have been monumental. But come to life it did, and still does! A triumph of film-making ingenuity and genius, that will live on for many generations to come.
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