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Gone with the Wind (1939)

Passed | | Drama, History, Romance | 17 January 1940 (USA)
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A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.

Directors:

Victor Fleming, George Cukor (uncredited) | 1 more credit »

Writers:

Margaret Mitchell (story of the old south "Gone with the Wind"), Sidney Howard (screenplay)
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Popularity
903 ( 26)
Top Rated Movies #159 | Won 8 Oscars. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thomas Mitchell ... Gerald O'Hara
Barbara O'Neil ... Ellen - His Wife (as Barbara O'Neill)
Vivien Leigh ... Scarlett - Their Daughter
Evelyn Keyes ... Suellen - Their Daughter
Ann Rutherford ... Carreen - Their Daughter
George Reeves ... Brent Tarleton - Scarlett's Beau
Fred Crane ... Stuart Tarleton - Scarlett's Beau
Hattie McDaniel ... Mammy - House Servant
Oscar Polk ... Pork - House Servant
Butterfly McQueen ... Prissy - House Servant
Victor Jory ... Jonas Wilkerson - Field Overseer
Everett Brown ... Big Sam - Field Foreman
Howard C. Hickman ... John Wilkes (as Howard Hickman)
Alicia Rhett ... India - His Daughter
Leslie Howard ... Ashley - His Son
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Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Now in 70mm. wide screen and full stereophonic sound! [reissue] See more »

Genres:

Drama | History | Romance | War

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 January 1940 (USA) See more »

Also Known As:

Lo que el viento se llevó See more »

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Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend USA:

$1,192,593, 28 June 1998, Limited Release

Gross USA:

$198,676,459

Cumulative Worldwide Gross:

$400,176,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

Stereo (1939 Reissue) (Western Electric Sound System) (Stereo)| Perspecta Stereo (1939 Reissue) (Perspecta Sound®)| 4-Track Stereo (1939 Reissue) (Stereo)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The Tara plantation of the novel and its adaptations is located five miles (8 km) from Jonesboro in Clayton County, on the east side of the Flint River. It is about 20 miles (32 km) south of Atlanta. See more »

Goofs

When Ashley comes to Atlanta for Christmas during the war, he and Melanie go upstairs to bed and call over the banister of the staircase landing to Scarlett. They proceed on to their room, and we see the light from their room reflected on the wall at the staircase landing. The light disappears as their bedroom door closes, leaving Scarlett watching in misery. However, when we see Prissy and Scarlett packing to leave Atlanta because Sherman is coming (while Melanie is in labor) it appears that there is no bedroom in a position that could leave a light on the landing wall. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Connections

Referenced in Are You Being Served?: Front Page Story (1981) See more »

Soundtracks

Battle Hymn of the Republic
(circa 1856) (uncredited)
Music by William Steffe
In the score during the burning of Atlanta sequence
See more »

Frequently Asked Questions

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User Reviews

 
Georgia on my mind
22 February 2005 | by jotix100See all my reviews

This film shows the best of the American cinema. Whether we like the film, or not, one has to recognize the greatest achievement, perhaps, of the creative talent of the people working in the movie industry. "Gone with the Wind" represents a monumental leap, as well as a departure, for the movies, as they were done prior to this film.

The vision of David O. Selznick, the power behind bringing Margaret Mitchell's massive account about the South, before and after the Civil War, pays handsomely with the film that Victor Fleming directed. This movie will live forever because it reminds us of how this great nation came into being, despite the different opinions from the two stubborn factions in the war.

"Gone with the Wind" brought together the best people in Hollywood. The end result is the stunning film that for about four hours keep us interested in the story unfolding in the screen. Of course, credit must be due to the director, Victor Fleming, and his vision, as well as the adaptation by Sydney Howard, who gave the right tone to the film. The gorgeous cinematography created by Ernest Haller gives us a vision of the gentle South before the war, and the Phoenix raising from the ashes of a burned Atlanta. The music of Max Steiner puts the right touch behind all that is seen in the movie.

One can't conceive another Scarlett O'Hara played by no one, but Vivien Leigh. Her beauty, her sense of timing, her intelligent approach to this role, makes this a hallmark performance. Ms. Leigh was at the best moment of her distinguished career and it shows. Scarlett goes from riches to rags, back to riches again and in the process finds an inner strength she didn't know she possessed. Her impossible love for Ashley will consume her and will keep her away from returning the love to the man that really loves her, Rhett.

The same thing applies to the Rhett Butler of Clark Gable. No one else comes to mind for playing him with the passion he projects throughout the movie. This is a man's man. Captain Butler was torn between his loyalty to the cause of the South and his sense of decency. His love for Scarlett, the woman he knows is in love with a dream, speaks eloquently for itself.

The other two principals, Olivia de Havilland and Leslie Howard, give performances that are amazing to watch. Ms. de Havilland's Melanie Hamilton is perfect. Melanie is loyal to the woman that does everything to undermine her marriage to Ashley. Mr. Howard's Ashley gives a perfect balance to the man in love with his wife, while Scarlett keeps tempting him.

The rest of the cast is too numerous to make justice to all the actors one sees on the screen, but omitting the contribution of Hattie McDaniel to the film would be sinful. Ms. McDaniel was such a natural actress that she is excellent no matter in what movie she is playing. This huge talent is a joy to watch.

Comments to this forum express their objections to the way the race relations play in the movie, but being realistic, this movie speaks about the not too distant past where all kinds of atrocities, such as the slavery, were the norm of the land. While those things are repugnant to acknowledge, in the film, they are kept at a minimum. After all, this film is based on a book by one of the daughters of that South, Margaret Mitchell, who is presenting the story as she saw it in her mind, no doubt told to her from relatives that lived in that period of a horrible page in the American history.

Enjoy this monumental classic in all its splendor.


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