After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <firstname.lastname@example.org>
In 2004 the film was completely restored from the original three Technicolor negatives. This time digital technology was employed to create results impossible to achieve with traditional methods. The negatives were scanned in at 2K resolution and digitally combined to remove all previous alignment problems and achieve perfect registration despite different amounts of shrinkage in the masters. The resulting digital master is of higher quality than any prints available so far--including the original prints from 1939. The color was timed to be identical to that of the surviving answer print of David O. Selznick, which is the color reference for the film. Reportedly Selznick's original answer print was lost, but it turned up five weeks into the 2004 digital restoration process. The color timing of the new digital master was subsequently stopped and started all over again from scratch. This 2004 digitally restored version looks truly astonishing, particularly when projected with a digital projector. An improved version, this time working at 4K resolution, is already approved and should be finished in 2005. The 2009 Blu Ray release comes from a new improved 8K resolution scan, which is the maximum possible limit for the 70mm format. See more »
After the lists come out about Gettysburg casualties, the band plays "Dixie". The camera settles on the two fife players, and their finger movements do not match the music they're supposed to be playing. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »
The first broadcast showing, on Nov. 7, 1976, had an entirely unfamiliar moment in the scenic backgrounds of the scrolling prologue. In all known prints, the last scene was of slaves driving oxen toward the camera, silhouetted against a sunset sky. But NBC's print ended the prologue on a blue sky with moving clouds. See more »
There has never been any movie in the cinema history that was more a legend than "Gone with the wind". It is undeniable that this movie contains lots of goofs, but, despite all this, it is a blockbuster and a real masterpiece. Completely NOT overrated.
I love this movie. I can't explain why exactly. There are sooo many reasons. I first saw it when I was a little kid and still can't forget it.
It's so special if you can return to movie even when you had seen it more than 100 times... And GWTW is this kind of a movie.
In my opinion a movie can not be a good when the acting is not good. And there acting is great! Every character is portrayed so magnificently!
I will start with the supporting players. Barbara O'Neil, though only 28 while filming, played mother of quite adult daughters. She was the Ellen Robillard Mitchell descirbed in her book: so stative, so smart, so lady. Thomas Mitchell should have received Oscar for his Gerald O'Hara portroyal, and I think he did not just because he won for "Stagecoach" that year. Scarlett's sisters are really well cast. But the best supporting performance of the film is this one of Hattie McDaniel's. She is simply magnificent, moving and unforgettable as Mummy. Just amazing.
Many people claim that Leslie Howard did not fit the role of Ashley. They may be right in some sense, but let's think it over twice. Ashley was more handsome as Mitchell described him, but he was a dreamer who could not find himself in a new, cruel world. And Howard showed this quality as best as possible.
Of course, Olivia de Havilland's performance of Melanie was as worth of Oscar as Hattie McDaniel's, but later on she was given what she deserved (Oscars for "To each his own" and "The Heiress"). She plays Melanie with such a sensibility, but she manages to show her hidden strength, but not in a dominate way. Clark Gable was so unsure of his talent till the end of his life. I think that he was a great actor. He's so real as Rhett, and he has to play several dramatic scenes. And he does it perfectly-remember that playing those scenes, like those after Scarlett's miscarriage, needed acting talent. He's perfect. But, I won't hide my opinion that Vivien Leigh's Scarlett is the best and most powerful point of the whole movie. Vivien won the role when she was completely unknown. She managed to master the Southern accent as well. She did not play Scarlett. She WAS Scarlett. But only in this movie. She never acted any other character the same way. She is terrific and has all those features that original Mitchell's Scarlett possesses. I heard that she wanted to play the part exactly as Mitchell created it, and Fleming wanted her to play it just as a bitch, so they fought about it badly, but, finally, Vivien did a great work and her Oscar was something very obvious.
If you love good cinema, if you want to see something moving and something that is not getting old, though almost 70!, do not miss it.
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