After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <email@example.com>
The initial director, George Cukor, was fired over his problems with the screenplay and the constant alterations to it, which he received almost daily from producer David O. Selznick. When Victor Fleming came on board in February 1939, he also rejected the script and convinced Selznick that it had to be rewritten. Production was shut down for 17 days while the script was rewritten by Ben Hecht. Supposedly, Hecht was not allowed time to read Margaret Mitchell's original novel; instead, Selznick and Fleming would often play out parts from the book, to which Hecht had to write dialogue. Hecht was reportedly commanded by Selznick to write almost continuously for days without breaks, with Selznick bringing him food. Hecht used Sidney Howard's original script (which both he and Fleming felt was superb) as the basis for his rewrite, but only got to re-write the first half, which may be one of the reasons why many consider the first half of the movie to be superior to the second half. Ironically, Hecht did not receive official credit for his writing, with Howard listed as the movie's only screenwriter. See more »
Scarlett is seated upon a pillow while talking to the Tarleton twins on the porch steps. When she hurries off to meet her father the pillow is gone. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
George Reeves is credited as playing the part of Brent Tarleton, and Fred Crane is billed as Stuart Tarleton. This is incorrect: Crane played Brent, and Reeves played Stuart. See more »
For its fiftieth anniversary in 1989 a special restored version was prepared using some of the original negatives, some sections of which had been heavily damaged by time. This version restores the original 1.37:1 ratio, but has been usually projected in a 1.66:1 ratio because modern theaters lack the equipment to properly display the original screen size. See more »
I've seen the film many times, have always enjoyed it. But I've been reading the book for the first time. It's a very long novel, and you have to stay with it if you want to see the ending. It's a good read, but Margaret Mitchell, former newspaper reporter, is very thorough in her description of both Southern culture and the changes that the Civil War brought to it. It's the size of the book that was the biggest challenge for David O Selznick. Not what parts to film, but which parts to leave out. So many characters that appeared in the book couldn't be introduced in the movie without extending the film's length to well over four hours. So he had Sidney Howard write the screenplay, then cut that down to a filmable length by hiring several more writers to further pare the script, and was still rewriting it himself while it was being filmed. Selznick was close to running out of money, so he asked his angel, millionaire Jock Whitney, to loan him enough to finish the film. The film was finally completed and edited, then was test-marketed at a theatre not far from LA. The viewers were excited about having seen it and said so on their preview cards, which allowed Selznick to rest easy, knowing he had a hit on his hands.
8 of 8 people found this review helpful.
Was this review helpful to you?
| Report this