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Gone with the Wind (1939)

Passed | | Drama, History, Romance | 17 January 1940 (USA)
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A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.

Directors:

Victor Fleming, George Cukor (uncredited) | 1 more credit »

Writers:

Margaret Mitchell (story of the old south "Gone with the Wind"), Sidney Howard (screenplay)
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Popularity
888 ( 143)
Top Rated Movies #161 | Won 8 Oscars. Another 10 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thomas Mitchell ... Gerald O'Hara
Barbara O'Neil ... Ellen - His Wife (as Barbara O'Neill)
Vivien Leigh ... Scarlett - Their Daughter
Evelyn Keyes ... Suellen - Their Daughter
Ann Rutherford ... Carreen - Their Daughter
George Reeves ... Brent Tarleton - Scarlett's Beau
Fred Crane ... Stuart Tarleton - Scarlett's Beau
Hattie McDaniel ... Mammy - House Servant
Oscar Polk ... Pork - House Servant
Butterfly McQueen ... Prissy - House Servant
Victor Jory ... Jonas Wilkerson - Field Overseer
Everett Brown ... Big Sam - Field Foreman
Howard C. Hickman ... John Wilkes (as Howard Hickman)
Alicia Rhett ... India - His Daughter
Leslie Howard ... Ashley - His Son
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Storyline

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

Now in 70mm. wide screen and full stereophonic sound! [reissue] See more »

Genres:

Drama | History | Romance | War

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 January 1940 (USA) See more »

Also Known As:

Lo que el viento se llevó See more »

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Box Office

Budget:

$3,977,000 (estimated)

Opening Weekend USA:

$1,192,593, 28 June 1998, Limited Release

Gross USA:

$198,676,459

Cumulative Worldwide Gross:

$400,176,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1969 re-release) | (1985 re-release) | (1994 re-release) | (1989 re-release) | (copyright length)

Sound Mix:

Stereo (1939 Reissue) (Western Electric Sound System) (Stereo)| Perspecta Stereo (1939 Reissue) (Perspecta Sound®)| 4-Track Stereo (1939 Reissue) (Stereo)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

David O. Selznick, in a memo from October 1939 about the movie's writing credits: "You can say frankly that of the comparatively small amount of material in the picture which is not from the book, most is my own personally, and the only original lines of dialog which are not my own are a few from Sidney Howard and a few from Ben Hecht and a couple more from John Van Druten. Offhand I doubt that there are ten original words of Oliver Garrett's in the whole script. As to construction, this is about eighty per cent my own, and the rest divided between Jo Swerling and Sidney Howard, with Hecht having contributed materially to the construction of one sequence." See more »

Goofs

After Scarlett visits the makeshift hospital at the church, she closes the door behind her in the close-up. In the long shot that follows, the door swings open again. Back to the close-up as Scarlett moves away from the door, and it is closed again. See more »

Quotes

[first lines]
Brent Tarleton: What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton: War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton: We'll show 'em!
Scarlett: Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton: Not going to be any war?
Stuart Tarleton: Why, honey, of course there's gonna be a war.
Scarlett: If either ...
[...]
See more »

Crazy Credits

Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »

Alternate Versions

The rough cut shown to MGM executives in July 1939 ran four and a half hours. By September 1939 it had been trimmed to three hours and forty minutes for a preview showing in Riverside, California. Further additions (including a fifth shooting of the opening scene) and deletions brought it to its final running time in December of three hours and forty-two minutes. See more »


Soundtracks

When Johnny Comes Marching Home
(1863) (uncredited)
Written by Louis Lambert
(Pseudonym for Patrick Sarsfield Gilmore)
In the score at Gettysburg and other sections
See more »

Frequently Asked Questions

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User Reviews

 
Astounding Film - GWTW is the Definition of a Classic!
15 November 2003 | by Alexis_RaySee all my reviews

The setting is a Georgia plantation. The year is 1861, and sixteen-year-old Scarlett O'Hara is infatuated with the blond, drowsy-eyed Ashley Wilkes - the problem is, Ashley plans to marry another woman. Little matter that every other man in the county is courting Scarlett and that a charming scoundrel named Rhett Butler is staring at her with questionable intent - she cares only for Ashley.

Suddenly, the Civil War brakes out, changing the fates and fortunes of all. Scarlett, clever, manipulative, and charming, proves an adept survivor - but what will she have to do to survive? And will she ever learn whom it is that she really loves?

GWTW is one of the most meticulously cast films ever; with the possible exception of Leslie Howard as Ashley (in his forties, rather old to be playing a man half that age), every role was perfectly assigned. After you watch Vivien Leigh you will be unable to imagine anyone else playing Scarlett, and Hattie McDaniel's strong, unforgettable performance as "Mammy" netted her an academy award (the first for an African-American actor).

GWTW's backdrop is the gruesome Civil War, and in the end this film is the story a woman and a civilization (the Old South) going through a war that will not leave either of them unchanged.

The cinematography is beautiful, memorable. Gone With the Wind was shot entirely in gorgeous technicolor; the scene of the fire in Atlanta required the use of all eight technicolor cameras in existence at the time.

The pragmatic may think Gone with the Wind overly dramatic; the restless may find it too long; the action-stimulated, too subtle. None of this, however, detracts from the fact that GWTW retains a lasting appeal as one of the crowning cinematic achievements of the 20th century. Those who see its ending as depressing - tragic, even - perhaps miss the point - which Scarlett O'Hara makes in her very last instant with us, tear-stained eyes uplifted in a sudden, curious burst of hope beneath all the turmoil; that .. . "After all, tomorrow is another day." 10/10


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