After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <firstname.lastname@example.org>
From her three marriages, Scarlett seems more content when married to Frank Kennedy. He is the least attractive of her husbands but allows her to have her way. He has enough money to finance her business plans but not enough courage to express his disagreements with them. This is the marriage that makes her into a successful businesswoman, though there is never a spark of romance. See more »
Getting ready for the BBQ at Twelve Oaks, Scarlett begins dressing by pulling on her hoop skirt. She is missing the bustle pillow and she never ties the hoop skirt on. The next scene shows the dress being pulled down over her head, her hair has been fixed slightly different than the previous shot, and all of Scarlett's trappings are securely attached under the dress. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
George Reeves is credited as playing the part of Brent Tarleton, and Fred Crane is billed as Stuart Tarleton. This is incorrect: Crane played Brent, and Reeves played Stuart. See more »
Issued in Argentina by MGM in 1984 on VHS (in two cassettes) with the opening original prologue with a special one for Foreign versions explaining the circumstances leading to the American civil war. This film went into the public domain in Argentina between 1989 and 1995, and during those years several minor video editors published their own versions (usually lifting them from American editions) and with much more quality than what MGM did in 1984. Several of this companies issued the VHS on a single cassette (the N-PAL color system allowed this), although removing the intermission and the exit music. In 1986, for its second Argentinean TV exhibition two different versions were simultaneously televised. LS85 TV Canal 13 of Buenos Aires used standard dubbed in Spanish print that has also been used by Turner Entertainment and, now, Warner Bros. At the same, on another channel, LS86 TV Canal 2 used a different print, without permission from the copyright owners: the print used was an older dubbed version from Spain, probably lifted from an MGM video edition, featuring all of the titles and signs in the entire film in Spanish. The source from that print was a company called VEA (Video Editora Argentina) that had a partnership with the television station at the time. See more »
I've seen the film many times, have always enjoyed it. But I've been reading the book for the first time. It's a very long novel, and you have to stay with it if you want to see the ending. It's a good read, but Margaret Mitchell, former newspaper reporter, is very thorough in her description of both Southern culture and the changes that the Civil War brought to it. It's the size of the book that was the biggest challenge for David O Selznick. Not what parts to film, but which parts to leave out. So many characters that appeared in the book couldn't be introduced in the movie without extending the film's length to well over four hours. So he had Sidney Howard write the screenplay, then cut that down to a filmable length by hiring several more writers to further pare the script, and was still rewriting it himself while it was being filmed. Selznick was close to running out of money, so he asked his angel, millionaire Jock Whitney, to loan him enough to finish the film. The film was finally completed and edited, then was test-marketed at a theatre not far from LA. The viewers were excited about having seen it and said so on their preview cards, which allowed Selznick to rest easy, knowing he had a hit on his hands.
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