After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <email@example.com>
There is an unresolved subplot in the novel. Brothel madam Belle Watling has a son whose existence is kept secret for some reason. He is studying away from Atlanta. He is implied to have some significance but remains an unseen character. Rhett Butler is also involved with another unseen character, a young boy who serves as his legal ward. Rhett frequently visits New Orleans where the boy is studying. One solution to the identity of the boys is that they are the same character, implying a stronger connection between parent figures Rhett Butler and Belle Watling. See more »
After Ashley refuses to run away with Scarlett, she turns away, starting to cry, her shawl is halfway off her shoulders, and crooked. Seconds later, it's up to her neck and straight. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Rather than simply saying "Selznick International in association with Metro-Goldwyn Mayer presents Margaret Mitchell's 'Gone With the Wind'", the opening credits say "Selznick International in association with Metro-Goldwyn Mayer has the honor to present its Technicolor production of Margaret Mitchell's story of the Old South 'Gone With the Wind'". See more »
New Line Cinema spent $1 million to prepare a restored version using the original Technicolor printing process. This version was released theatrically June 1998. See more »
I've seen the film many times, have always enjoyed it. But I've been reading the book for the first time. It's a very long novel, and you have to stay with it if you want to see the ending. It's a good read, but Margaret Mitchell, former newspaper reporter, is very thorough in her description of both Southern culture and the changes that the Civil War brought to it. It's the size of the book that was the biggest challenge for David O Selznick. Not what parts to film, but which parts to leave out. So many characters that appeared in the book couldn't be introduced in the movie without extending the film's length to well over four hours. So he had Sidney Howard write the screenplay, then cut that down to a filmable length by hiring several more writers to further pare the script, and was still rewriting it himself while it was being filmed. Selznick was close to running out of money, so he asked his angel, millionaire Jock Whitney, to loan him enough to finish the film. The film was finally completed and edited, then was test-marketed at a theatre not far from LA. The viewers were excited about having seen it and said so on their preview cards, which allowed Selznick to rest easy, knowing he had a hit on his hands.
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