Brant frames Destry and has men testify against him. Found guilty he vows to return. Back from prison he goes after the man that framed him. When the Sheriff is shot before he can talk, ... See full summary »
The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. When the Nazis come to power, the family is divided and Martin Brietner, a family friend is caught up in the turmoil.
Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor, who is in cahoots with Kent appoints the town drunk, Washington Dimsdale, as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman, Tom Destry, and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Featuring a career reviving performance from Marlene Dietrich as bar singer Frenchie, which could well have been the inspiration for Madeline Kahn's "Blazing Saddles" character, Lili Von Schtupp.Written by
Mark Thompson <email@example.com>
James Stewart and Marlene Dietrich had an affair which lasted for the duration of filming. She later claimed that she had to have an abortion after Stewart made her pregnant. See more »
When Destry first demonstrates his ability with a firearm by shooting at the knobs on the sign, he shoots a total of seven times. Although he is holding two Colt "Six-shooters", one in each hand, he fires only the pistol he holds in his right hand. Thus, he fired one round more than the gun could hold. See more »
[Destry & Dimsdale have stopped the gunfight at the Claggett farm. One of Kent's men points a gun at Dimsdale. Destry hits him on the neck with his gloves]
Tom Destry Jr.:
Big bee - about that big - right on the back of your neck. I got him, though.
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It is true that there are parody elements in George Marshall's delightful "Destry Rides Again" but the real humor lies not so much in these sorts of antics, nor the heavily laid on inquiries of Marlene Dietrich as to the tastes of the backroom boys, but rather in James Stewart's no-gun Destry characterization
This springs from the same source as Ford's 'characters', recognizable frontier independent-minded eccentrics, with a firm footing in American literature; characters often with a roundabout way of making a point, or pointing a moral, as with Destry's habit of prefacing each little cautionary parable with: 'I knew a fellow once who ' A habit that inevitably drew the aggrieved riposte: 'You know too many fellows, Destry '
The other 'characters' in this film have more than a color or two of parodyMischa Auer's improbable Slavonic cowboy, Charles Winninger's town drunk, Brian Donlevy, unprincipled boss, and Samuel S. Hinds' nicely played judge
In retrospect, it's odd how much this movie gains from its rather touching little postscript Stewart, the unconventional lawman, having pacified his cowtown, strolls the streets with a hero-worshiping lad at his heels, and yet also takes a little cloud of sadness along with him
Marshall's film is considered a classic Western which manages to encompass suspense, comedy, romance, tenderness, vivid characterization, horseplay, songs and standard western excitements, without moving for more than a moment from a studio main street set Hollywood expertise at its very best...
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