Mary Hale (a singer) and Jimmy Seymour (pianist/composer), are a show biz couple working in The Big Apple in small night clubs hoping to hit it big. One night, Larry Bryant (a Broadway ...
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Kay is a girl living in a small rural town whose life is just too dull and repetitious to bear. One night, she meets young, handsome, and rich Bob Dakin, who asks her for directions while ... See full summary »
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »
Robert Z. Leonard
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Mary Hale (a singer) and Jimmy Seymour (pianist/composer), are a show biz couple working in The Big Apple in small night clubs hoping to hit it big. One night, Larry Bryant (a Broadway producer) spots Mary and is taken with her beauty and golden voice. Larry Bryant asks her to audition for Mr. Collier and have Jimmy accompany her. After hearing Mary, Collier wants Mary to be in his show. Jimmy encourages a reluctant Mary to go on the road without him. Soon Mary's talent is noticed and her role in the show increases, while Harriet Ingalls the show's original star is pushed out. Ingalls quits promising to seek revenge. After 5 weeks on the road, Mary returns home. Mary is now a big star, while Jimmy's career has gone nowhere, and he feels threatened by Mary's success. Jimmy while waiting for Mary to dress, starts to read a Broadway magazine. Seeing pictures of Mary with Larry, he pours himself a drink and another till he's drunk. Larry stops by, and Ingalls suddenly appears and accuses ...Written by
From 1939, Broadway Serenade is an odd movie, containing all kinds of music. Lew Ayres is a composer/pianist who apparently wrote or ripped off None but the Lonely Heart, I couldn't decide; the Macdonald-less Jeanette is his lovely singer wife. During his audition of a new song for a big Broadway producer (Frank Morgan) and his investor (Ian Hunter), it's Jeanette who gets the job and Hunter's heart. She has to go on the road with the show; she comes back a star, and her husband, hearing rumors of a romance with Hunter and not doing too well himself, rejects her, though the rumors aren't true. He becomes drunk and disorderly while her star ascends.
I guess the big, lirico-spinto/dramatic soprano arias were the popular ones, because in movies where she sang opera, Jeanette MacDonald was always doing something like Tosca or Madama Butterfly, which she does here - so totally out of her vocal type, which was way too light for that sort of music. Her repertoire was operetta and roles like those in the French repertoire: Delibes, Gounod, or Bellini and Donizetti. She had a nice middle voice and beautiful, lyrical pianissimos, but her very high notes had a whitish, straight sound - basically that's how female singers were taught back then. I always loved her acting. She and Ayres are both good although an unlikely couple, he being boyish and she being diva-ish.
Some bizarre musical numbers, such as the one at the end. A mixed bag. There are better musicals - an understatement.
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