Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. With his signature sense of angry humor, activist filmmaker Michael Moore sets out to explore the roots of this bloodshed. In doing so, he learns that the conventional answers of easy availability of guns, violent national history, violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage. In order to arrive at a possible explanation, Michael Moore takes on a deeper examination of America's culture of fear, bigotry and violence in a nation with widespread gun ownership. Furthermore, he seeks to investigate and confront the powerful elite political and corporate interests fanning this culture for their own unscrupulous gain.Written by
Kenneth Chisholm (email@example.com)
In May 2002 this film became the first documentary to compete in the Cannes Film Festival's main competition in 46 years. See more »
The "Brief History of America" segment includes the assertion that early Americans burned suspected witches. No accused witches were burned in America. See more »
The two by-products of that whole tragedy were, violence in entertainment, and gun control. And how perfect that that was the two things that we were going to talk about with the upcoming election. And also, then we forgot about Monica Lewinsky and we forgot about, uh, the President was shooting bombs overseas, yet I'm a bad guy because I, well I sing some rock-and-roll songs, and who's a bigger influence, the President or Marilyn Manson? I'd like to think me, but I'm going to go with the ...
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There is no cast list, either at the start of the film or at the end. People are credited either by subtitle, by the narrator or by themselves. See more »
In the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad. See more »
The scenes shot in Sarnia, Windsor and Toronto, Canada have provoked much conversation in Canada. These scenes epitomize both the problem and the strength of BFC, that is, the sense is correct but the details often exaggerated. While the received notion that Canada is less violent than the US is accurate, we are catching up in a hurry. And people do lock their doors, at night anyway. In Toronto's current (Nov. 2003) mayoralty election, increasing street violence and crime is a major issue. When Moore asks Heston, "Why do other countries have so much less gun violence than the US?" Did you catch his brief answer? He says, "They will". Whatever is causing the problem, the U.S. is on the leading edge of the curve, but other countries are catching up.
That said, I give Moore credit for provoking conversation, for his humour (in spots). His lack of balance doesn't concern me. I can find my own balance, thank goodness for dissent and free speech. I also think that Moore is restrained in drawing conclusions in the film, which is a great strength of the film, in provoking discussion, and allowing people to express their own opinions.
Finally, Moore is way off on Marilyn Manson. Moore is careful to say that there is no direct causal relationship between Lockheed and the Columbine assassins - it's a mentality thing. Isn't the connection between Manson and teenage suicide/ violence much more palpable than Moore's connection of Lockheed & Columbine.
** UPDATE in Nov. 2005 - regarding Toronto, the score is Heston 1 Moore 0.
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