A group of vaudevillians struggling to compete with talkies hits the road hoping for a comeback. Frustrated to be left behind, all of their kids put on a show themselves to raise money for the families and to prove they've got talent, too.
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Hoping his son will attend his alma mater, Judge Hardy agrees to let Andy look for work in New York for the summer before committing to start college. In the big city, Andy is confronted with the harsh realities of life and love.
Mickey Moran, a talented singer and musician, is son of a veteran from show business. Mickey has a partner, Patsy Barton, a pretty girl and also a very talented singer. One day, a big opportunity arrives for Mickey, a big contract to set up his own show. However, things don't go well, and in order to avoid being sent to a work farm, he'll improvise a show in the country, despite the awful weather conditions. Patsy's in love with Mickey, he loves her, too, but for him the show must go on, and his big dream maybe will come true: to formally stage his play in a big scenario, with a huge production.Written by
When Judy Garland & Betty Jaynes are singing their duet, there is part of one line where Judy's lips aren't moving but you can hear her singing. You can see her singing "We're really..." and then the view changes and there's a close-up of the two girls. As they sing the words "...just like...." Judy's lips aren't moving and she's just staring straight at the camera. Then she continues lip-syncing "...two peas in a pod..." See more »
Play day is done, we've a place in the sun we must fight for / So, babes in arms, to arms!
To arms, to arms, babes in arms!
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Some older television prints delete the minstrel show sequence. See more »
This is not good because it's a Busby Berkley film. It's not good because of the corn fed mom country and apple-pie sentiment. It's not good because of the Rogers and hart score.
This is great to watch because it comes from the hard years of the depression where even in hard times young people learned how to sing, or dance, or act, or sing dance and act.
This large cast of performers is packed with showbiz musical theater talent born of Vaudeville, that represents an era that was unparalleled and we will never see again. For all his goofiness Rooney does it all here. And Judy, oh dear Judy, she shines in absolutely every thing she does. Giving more than we have a right to expect in every thing she does.
Even with it's flaws as an over the top movie, the black face routine is not defensible even in it's own time, there are moments in this moving where if you don't see the awesome musical theater talent of the whole cast of "PERFORMERS", you are miserable indeed.
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