$1000 a Touchdown (1939) Poster

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2/10
Well, shut their big mouths...
F Gwynplaine MacIntyre13 March 2004
Joe E. Brown and Martha Raye were (separately) both known for their wide mouths, so I guess it was inevitable that someone would decide to team them on screen. Unfortunately, this movie isn't very funny. The cleverest thing about this movie is Joe E.'s character's name: he plays a ham actor christened Marlowe Mansfield Booth, which is the name of a 16th-century playwright and two 19th-century actor/managers.

Joe E. inherits a college (don'tcha hate it when that happens?). This is an American movie, so of course the 'college' is merely a front for a football team. (Classes? What classes?) Inevitably, everything Joe E. and Martha need to accomplish depends on their team winning the Big Game. Inevitably, Joe E. goes into the game at the last moment. So far, so good: Joe E. Brown was an extremely athletic man who often played inept weaklings on screen, and several of his films relied upon his character suddenly developing athletic prowess at the climax. Unfortunately, in this movie Joe's success is more down to dumb luck than anything else. The number on Joe's football jersey is 13 ... which tells you how obvious everything in this movie is.

I have mixed feelings about Martha Raye. I consistently find her unfunny, and I dislike the characters she played. In 'Monsieur Verdoux', I kept hoping that Chaplin's attempts to murder her would succeed, and I was annoyed that she survived at the end. However, in the real world, Martha Raye risked her life to perform for American servicemen in combat zones during several wars, and she was a tireless advocate on behalf of Vietnam veterans. In the last years of her life, Martha Raye hoped to get a film made based on her experiences performing in the USO during World War Two. Unfortunately, a certain well-known 'actress' ripped off the facts of Martha's life and made a flop movie that put paid to any chances of a straightforward Martha Raye biopic. So, I have a lot of sympathy for Martha Raye as a person even while I intensely dislike her as a performer.

And she's extremely unfunny in this movie. Several reliable character actors are in '$1,000 a Touchdown' - Eric Blore, Tom Dugan, Matt McHugh, Jimmy Conlin - but none of them have any decent material. All of them have been funny elsewhere, but none are funny in this movie. I was grateful for the presence of tall shapely brunette Joyce Mathews as a campus vamp. I'll rate '$1,000 a Touchdown' 2 points out of 10.
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3/10
A true curio for its cast, but oh so unbelievable.
mark.waltz15 August 2018
Warning: Spoilers
Joe E. Brown is an acquired taste, the type of 1930's star whose films as seen on TCM are avoided by those who consider his style of comedy more than just dated. Other than "Show Boat" and "Some Like It Hot" (where he is supporting), his films all seem to follow the same structure. Milquetoast funny looking man somehow becomes a big hero, whether on ski's, a football field, polo field or even on the range. Brown had been paired with several noisy ladies over the years, from Winnie Lightner and Lila Lee in his early days, to Martha Raye here. With her overly colored large lips, Raye actually gives a pretty quiet performance, more subtle than her earlier Paramount musicals which often paired her with Bob Hope. But those were big "A" films, and "$1000 a Touchdown" is strictly a very mediocre "B". Then there is the presence of a future Oscar winning actress, basically wasted in a part that any contract beauty could have played, and not showing the signs yet of stardom that would make her a huge attraction a decade later.

That young starlet is none other than Susan Hayward, cast as a college student who is an expert on love which she recites her feelings about through poetry. Fans of hers will be somewhat disappointed, not only by how she is wasted, but by the ridiculous plot that shows stage fright acting victim Brown suddenly made the head of Raye's college, where he also does double duty as football coach. Raye, desperate for a man (seemingly any man!), keeps trying to get him to kiss her, but all he wants to do when he first meets her is slide down her huge banister. I guess that's what Hayward's purpose is, providing the love sonnets to warm Brown up to Raye's luscious lips. Raye does get to sing one basically forgettable song, and most of the comedy leads to eye rolls, not laughs. The football plotline is completely unbelievable, so sports fans can opt out.
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