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Three Waltzes (1938)

Les trois valses (original title)
Approved | | Musical | 24 April 1939 (USA)

Director:

Ludwig Berger

Writers:

Léopold Marchand (scenario and operetta), Hans Müller (dialogue) | 1 more credit »
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Cast

Cast overview, first billed only:
Yvonne Printemps Yvonne Printemps ... Fanny, Yvette et Irène Grandpré
Pierre Fresnay ... Octave, Philippe et Gérard de Chalencey
Henri Guisol ... Brunner fils
Jean Périer Jean Périer ... Le président Lebrun
Pierre Stéphen Pierre Stéphen ... Le journaliste
Robert Vattier Robert Vattier ... Le metteur en scène (as Vattier)
Jeanne Helbling ... Impératrice Eugénie
Max Maxudian Max Maxudian ... Napoléon III (as Maxudian)
Georges Cahuzac Georges Cahuzac ... L'acteur jouant l'Empereur (as Cahuzac)
Adolf E. Licho Adolf E. Licho ... Le producteur (as Licho)
Paul Demange ... Le régisseur (as Demange)
Guy Sloux Guy Sloux ... Antoine
Yolanda Yolanda ... La chanteuse
Laure Diana Laure Diana ... Une petite femme
France Ellys France Ellys ... La marquise de Chalencey
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Storyline

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Genres:

Musical

Certificate:

Approved | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

24 April 1939 (USA) See more »

Also Known As:

Three Waltzes See more »

Company Credits

Production Co:

SOFROR See more »
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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film was first telecast on New York City's pioneer television station W2XBS Thursday 29 February 1940. It is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. See more »

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User Reviews

Opportunity knocks .
7 September 2011 | by dbdumonteilSee all my reviews

Pierre Fresnay and his wife Yvonne Printemps -who is some kind of French Jeanette McDonald -were at their peak and "TRois Valses" which appeared when the French cinema went from strength to strength ,may seem a bit old-fashioned compared to the contemporary masterpieces .

Hinsight displays its charm .It is a portmanteau film since it features three segments the moral of which should be : aristocracy is on the wane and make way for the stars who replaced the marquees ,princesses and countesses .

Segment one: an aristocrat military man ,on the verge of a brilliant career ,falls in love with a music hall singer ,but his family is not prepared to accept it cause she is of common birth.Although the young officer introduces her to Emperor Napoleon the Third and Empress Eugenie ,it's not sure that love will be the stronger.

Segment two:another aristocrat from the same family (but older) falls in love with the singer's granddaughter on a verge of a brilliant singer career.She decides she would have a few days vacation and they head for the country .But she's told that tonight's show will be attended by Prince of Wales and Sarah Bernardt;will love get the upper hand? Segment three :A big star's plane is landing on an airport where her fans are eagerly expecting her.She's a descendant of the two first heroines and she is to make a movie with Gary Cooper.The American star being not available (or was he too expensive for European budgets?),the director has to be content with a French co-star.They choose an amateur who is none other than a descendant of the two first heroes.Being an aristocrat doesn't give a man a living wage and he works in an insurance company.He will play the occasional actor and the two thespians do not get on very well first .The emperor and his wife appear again,a good trick.Will love triumph?

Fresnay and Printemps play three parts each ,but only the former can really create three characters :maybe his wife was handicapped by the fact she was a singer .The movie is a semi-musical :not only Printemps sings several songs (you really have got to be into McDonald 's style to dig them) but she also sings lines of dialog ,which her partner cannot obviously do.


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