In 1845 Vienna, Johann Strauss II - Schani to his friends - would rather write and perform waltzes than anything else, this at a time when a waltz is not considered proper society music. ... See full summary »
Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »
A tour guide in Venice romances a visiting American tourist whose father owns a chewing-gum factory back in the U.S. She sets out to convince her skeptical father to bring the tour guide to America and give him a job in the plant.
A musical comedy duo in their 6th year on Broadway receive an offer to perform in Hollywood making films. The change of lifestyle is inviting to the Sweethearts as the move will take them away from relatives and friends who want to engage them in countless performances. However, when it comes to signing their Hollywood contract they do not sign as Gwen has been perceived into believing her seetheart and husband is engaged in an affair with their personal assistant. The Sweethearts split up and carry on performing their musical production around America with their understudies as their co-stars. Eventually they are united in a Broadway Show.Written by
Jenny Evans <J.Evans@uts.edu.au>
A written epilogue explains: "In our screen play, certain dramatic liberties have been taken with the operetta 'SWEETHEARTS'. We depict the scenes from the operetta as though it was a recent production presented by a wholly fictitious producer Felix Lehman and composed and written by two wholly imaginary persons Oscar Engel and Leo Kronk whereas the stage operetta 'SWEETHEARTS' was actually written and produced on the stage about 1913, Victor Herbert composing the music and Fred De Gresac (as Fred de Gresac), Robert B. Smith and Harry B. Smith writing the book and lyrics." See more »
Sweethearts was the first color film for Nelson & Jeanette, and they, and the film are quite beautiful.They portray a married couple, appearing in musical comedy. This shows Nelson at his most playful--the "Pretty as A Picture" duet was so personal, I thought I was privy to a private moment between them. Too bad, MGM never took advantage of Nelson's self depreciating talent, but this film is most interesting, because it gives us a fascinating glimpse of what might have been.
10 of 13 people found this review helpful.
Was this review helpful to you?
| Report this