IMDb RATING
6.3/10
927
YOUR RATING
Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.Simon Templar, the Saint, is brought to New York. His search for the identity of "the Big Fellow" takes him through many dangerous situations.
IMDb RATING
6.3/10
927
YOUR RATING
- Director
- Writers
- Charles Kaufman(screenplay)
- Mortimer Offner(screenplay)
- Leslie Charteris(novel)
- Stars
- Director
- Writers
- Charles Kaufman(screenplay)
- Mortimer Offner(screenplay)
- Leslie Charteris(novel)
- Stars
Sig Ruman
- Hutch Rellin
- (as Sig Rumann)
Jay Adler
- Eddie, a Hood
- (uncredited)
George Anderson
- Bonacci
- (uncredited)
Leon Belasco
- Driver
- (uncredited)
Stanley Blystone
- Policeman at the Zoo
- (uncredited)
Shirley Coates
- Viola Throckmorton
- (uncredited)
Harry Depp
- Shooting Witness
- (uncredited)
Lester Dorr
- Jacob S. 'Jake'
- (uncredited)
- …
Paul Fix
- Phil Farrell, Doorman at the Silver Club
- (uncredited)
- Director
- Writers
- Charles Kaufman(screenplay)
- Mortimer Offner(screenplay)
- Leslie Charteris(novel)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt one point, Louis Hayward as the Saint would refer to himself as "a lone wolf." In 1954, Hayward would play in The Lone Wolf (1954), a TV series.
- GoofsTemplar speaks the cabby's phone number, then dials it. It's Columbus 5-1098; on a rotary dial phone, 0, 9 and 8 are all full or nearly full turns of the dial, but when he dials it, it's all small turns until the last digit.
- Quotes
Simon Templar, aka The Saint: [flags down cab which brakes hard. Leans in] I smell burning rubber.
Sebastian Lipke, Taxi Driver: Best brakes in town, Boss, where to?
Simon Templar, aka The Saint: [Gets in] 49th, near 8th.
[reads taxi license on back of seat]
Simon Templar, aka The Saint: Just forget about those lights, Sebastian.
Sebastian Lipke, Taxi Driver: [looks back] Say, I know you!
Simon Templar, aka The Saint: Why shouldn't you? My life's an open book.
Sebastian Lipke, Taxi Driver: [looks back again] Why, you're the Saint! I seen your picture in tonight's paper!
Simon Templar, aka The Saint: Terrible picture. Made me look like Tarzan.
- Alternate versionsPossibly for local censorship reasons some theatrical prints delete the brief scene revealing that the nun at the scene of the first of the Saint's killings was the Saint. Rather than a straight cut, it dissolves from the bystanders crowding round the body to the Saint's conversation after he has divested himself of the nun's habit.
- ConnectionsFollowed by Pyhimys iskee takaisin (1939)
Review
Featured review
Extraordinary in its Ethical Dimension; a Fast-Paced Noir Mission
This by my lights is a splendid and very good story about Leslie Charteris's enigmatic character, Simon Templar, "the Saint"; it was the first of a series of films which starred several actors inn the role. Louis Hayward is fascinating inn the part, occasionally a bit stodgy but intelligent, and compelling. The film was directed by Ben Holmes, and also stars Kay Sutton as an enigmatic bad girl, Sig Ruman, Jonathan Hale, Jack Carson and many others in small but effective parts. The storyline is what set\s this ethical masterpiece apart. Templar is tracked down in foreign parts by an honest man representing a group in New York who want to bring down the mysterious crime boss who is poisoning the city with his influence. Templar, for his own reasons--the challenge, the chance to accomplish something worthwhile--agrees to risk his life; not for altruism but for his own code of values, his own desire to use his talents to the full. He starts pushing, commits some questionable break-ins and more,, all the time making himself more dangerous and getting closer to finding out who the big fella" is. I will not reveal the climax or the ending, except to say Templar has fallen in love with Kay--but she can never be his after what happens. Roy Webb wrote the music; the production values of this B/W gem are subtle and a little above average. But what drives it is the script, written from Charteris's novel,; it is the best of an interesting series because it is fast-paced, original, clever in dialogue and clear in its contexted ethical purposiveness; the group who hired him and the viewers finally come to know that they picked the right man, whatever doubts they may originally have had about the famous and notorious Simon Templar. Sutton is very good; Carson and several others are very competent also. Highly recommended.
helpful•291
- silverscreen888
- Jun 26, 2005
Details
- Release date
- Country of origin
- Language
- Also known as
- The Saint in New York
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $128,000 (estimated)
- Runtime1 hour 9 minutes
- Color
- Aspect ratio
- 1.37 : 1
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