Kay, who works on a Thames River barge, and Steve are secretly in love with each other but do their best to hide it. Kay wants desperately to be a music-hall star and Steve wants to be a ...
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Elaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a ... See full summary »
Harriet Green, a beloved and radiant music hall star of the Edwardian era, has a guilty secret: She has a baby daughter, born out of wedlock. Harriet leaves her public and flees to South ... See full summary »
Elizabeth, a delivery girl, dreams of being a music-hall singer but she is refused at the first casting she takes part in. A bit depressed, she gets to know Victor, a would-be Shakespearean... See full summary »
The rich widow Leila disguises herself as a maid and falls in love with her employer Fergus who is a rich Canadian bachelor. Their wealth depends on each getting married within the next year. Whose fooling who in this comedy love affair?
Impoverished aristocrat's daughter Tommy Tucker (Jessie Matthews) is in love with radio announcer Bill Coverdale (Gene Gerrard), but he is engaged to her more glamorous sister Angela (Kay ... See full summary »
Kay, who works on a Thames River barge, and Steve are secretly in love with each other but do their best to hide it. Kay wants desperately to be a music-hall star and Steve wants to be a player in the world of high finance. An eccentric millionaire decides to do what he can to see that they achieve their dreams.Written by
Of Jessie Matthews in this film: Roger Phillip Mellor, in the Encyclopedia of British Cinema, notes " ...the image of her in Sailing Along (d. Hale, 1938), in a white evening gown, with a gentleman's black top hat and walking cane, performing 'Souvenir of Love' in Lime Grove's art deco luxury sets, indelibly incarnates 1930s style." See more »
Depending on whose chronology you read, this film was the last of the six 1930s musical films made which starred Jessie Matthews (but not the last film she made). A vast improvement over her prior film, "Head Over Heels", and better than another prior film, "Gangway", this film is worth a look to those interested in Matthews's dancing. This film briefly shows Matthews toe-dancing ballet, proving once again that she was an all-around, well-trained dancer.
Although the score has no memorable "standard" songs, the tunes were typical of the 1930s melodies and lyrics. Since Matthews was reportedly a popular and prolific recording artist in England, it's no surprise that she is given songs to perform in addition to, and along with her dancing performances.
Matthews is paired with American actor, Jack Whiting, a proficient dancer and singer in his own right. He is certainly capable of keeping up with Matthews in three tap dancing duets. Whiting is given one solo song and dance number as well.
Also appearing is American actor, Noel Madison, a familiar face in 1930s films, mostly in gangster roles. Another familiar face is character actor, Roland Young, another English émigré to America.
This film shows a good representation of Matthews's dancing skills, and it's no wonder she was nicknamed "The Dancing Divinity". It's worthwhile viewing for those who are interested in her. I've now seen all six of Matthews's musicals, and this film is the second best for showcasing Matthews's dancing, in my opinion. It can be purchased on VHS.
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