The snobbish and intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However, he discovers that this involves dealing with a human being with ideas of her own.Written by
Steve Crook <email@example.com>
Opening credits prologue: PYGMALION WAS A MYTHOLOGICAL CHARACTER WHO DABBLED IN SCULPTURE. HE MADE A STATUE OF HIS IDEAL WOMAN-GALATEA. IT WAS SO BEAUTIFUL THAT HE PRAYED THE GODS TO GIVE IT LIFE. HIS WISH WAS GRANTED.
BERNARD SHAW IN HIS FAMOUS PLAY GIVES A MODERN INTERPRETATION OF THIS THEME. See more »
This film was made a year before the Hays Office gave Clark Gable permission to say "Frankly, my dear, I don't give a damn", so while in the British prints of this film Leslie Howard often utters the word, in the American prints the word "damn" is replaced by either "hang" or "confounded". See more »
While My Fair Lady was a tremendous film which is a pleasure to watch and rewatch, Pygmalion is the true cinematic version of Shaw's work and this version is brilliant. While I still have mixed feelings about the Henry-Eliza relationship and the play ending, it has to be said that the two leads here are perfect for their roles. There were not many British actors better than Howard at the time for this type of thing, and Wendy Hiller never disappointed her audience once in her long career. A good film full of detail and feeling. The one sticking point is the weak and feeble Freddie who at least was given a personality in MFL. Here you can't wonder that Eliza is so quick to discard his attentions. A film which should be celebrated and treasured more in the UK than it is.
49 of 54 people found this review helpful.
Was this review helpful to you?
| Report this