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Pygmalion (1938)

A phonetics and diction expert makes a bet that he can teach a cockney flower girl to speak proper English and pass as a lady in high society.

Writers:

George Bernard Shaw (screen play and dialogue) (as Bernard Shaw), W.P. Lipscomb (scenario) | 1 more credit »
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Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leslie Howard ... Henry Higgins
Wendy Hiller ... Eliza Doolittle
Wilfrid Lawson ... Alfred Doolittle
Marie Lohr ... Mrs. Higgins
Scott Sunderland Scott Sunderland ... Colonel George Pickering
Jean Cadell Jean Cadell ... Mrs. Pearce
David Tree ... Freddy Eynsford Hill
Everley Gregg Everley Gregg ... Mrs. Eynsford Hill
Leueen MacGrath ... Clara (as Leueen Macgrath)
Esme Percy ... Count Aristid Karpathy
Violet Vanbrugh ... Ambassadress
Irene Browne ... Duchess (as Irene Brown)
Kate Cutler Kate Cutler ... Grand Old Lady
O.B. Clarence O.B. Clarence ... Mr. Birchwood - the Vicar
Ivor Barnard ... Sarcastic Bystander
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Storyline

The snobbish & intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However he discovers that this involves dealing with a human being with ideas of her own. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Taglines:

He picked up a girl from the gutter - and changed her into a glamorous society butterfly ! . . . See Wendy Hiller, new star discovery, in this amazing role ! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

3 March 1939 (USA) See more »

Also Known As:

Pigmalión See more »

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Box Office

Budget:

$350,000 (estimated)

Gross USA:

$3,052,000
See more on IMDbPro »

Company Credits

Production Co:

Pascal Film Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System Wide Range)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

George Bernard Shaw's original play opened in London on 11 April 1914. See more »

Quotes

Prof. Henry Higgins: Now listen to me, Eliza. You're going to live here for six months and learn to speak beautifully like a lady in a florist shop. If you're good and do whatever you're told, you shall sleep in a proper bedroom, have lots to eat and money to buy chocolates and take rides in taxis. If you're naughty and idle, you shall sleep in the back kitchen among the black beetles and be walloped by Mrs. Pearce with a broomstick. At the end of six months you shall go to Buckingham Palace in a carriage, ...
See more »

Crazy Credits

Opening credits prologue: PYGMALION WAS A MYTHOLOGICAL CHARACTER WHO DABBLED IN SCULPTURE. HE MADE A STATUE OF HIS IDEAL WOMAN-GALATEA. IT WAS SO BEAUTIFUL THAT HE PRAYED THE GODS TO GIVE IT LIFE. HIS WISH WAS GRANTED.

BERNARD SHAW IN HIS FAMOUS PLAY GIVES A MODERN INTERPRETATION OF THIS THEME. See more »

Connections

Referenced in Will & Grace: Fagmalion Part 2: Attack of the Clones (2003) See more »

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User Reviews

By George, they got it the first time...
2 June 2004 | by nk_gillenSee all my reviews

George Bernard Shaw wrote the play "Pygmalion" in 1912 and 1913 as part-social protest, part-satire, part-comedy of manners. Its central character, Henry Higgins, a London teacher of elocution and expert in regional phonetics, makes a small wager with his friend and colleague, Colonel George Pickering, that he can take a waif from the streets, one Eliza Doolittle, and pass her off as the cream of the social crop. Using a pedagogical technique consisting mostly of inhumane badgering and humiliation, he manages to pull off the feat with unexpected success – but at an emotional cost he does not foresee.

Besides the inventive montages illustrating Higgins' transformation of Eliza from Cockney flower-girl to the statuesque, gowned beauty who's mistaken for a royal princess at a diplomatic reception, there are additional items that failed to materialize in Shaw's original – the use of the phrases, "The rain in Spain stays mainly in the plains" and "Hurricanes hardly happen in Hartford, Hereford, and Hampshire," both of which later became lyrics for Lerner and Lowe's musical version. And in the play, Higgins's irritating Hungarian nemesis is not given a name; here, for the first time, he is dubbed "Kaparthy."

Leslie Howard, who co-directed this 1938 film, impersonates Higgins as hard-core realist - diabolical, profane, impatient, sometimes maddening. And as Eliza, Wendy Hiller has her coy moments, particularly when she is "tried out" at a tea party given by Higgins's mother. Her carefully high-toned enunciation of "the new slang" is timed to perfection.

The film, unfortunately, leaves one with the feeling that at the story's conclusion - with Higgins quietly demanding to know from Eliza the whereabouts of his slippers - both student and mentor "live happily ever after." This contrived ending must have been a compromise on the part of the producer, Gabriel Pascal, although one finds it mystifying that Shaw, who is credited with the story's adaptation, would have ever endorsed such a sentimental ending. For as Shaw had written at the end of his play over two decades earlier, "the rest of the story need not be shown...if our imaginations were not so enfeebled by their lazy dependence on the...reach-me-downs of the rag shop in which Romance keeps its stock of happy endings..." The playwright then proceeded into seven pages of prose, describing an epilogue in which Eliza married the worshipful young suitor, Freddy Eynsford-Hill, and the generous Colonel Pickering set up the newlyweds in their own business near Victoria Station. As for any relationship between Higgins and Eliza, according to Shaw, "(to this day) he storms and bullies and derides; but she stands up to him so ruthlessly that the Colonel has to ask her from time to time to be kinder to Higgins." As is the aftermath of most good stories, the worm indeed did turn.

With Wilfrid Lawson as Eliza's father, Alfred; Scott Sunderland as Pickering; and David Tree impersonates the shallow but inoffensive Freddy in high style. (He would do the same with the role of Charles Lomax three years later in "Major Barbara.") If the American schleps and male-pushovers that Ralph Bellamy used to play in "The Awful Truth" and "His Girl Friday" ever had a British cousin, David Tree was it; he did the upper-class twit better than anyone.


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