Viennese surgeon Dr. Braun and his daughter Leni come to a small town in North Dakota as refugees from Hitler. When the winds of the Dust Bowl threaten the town, John Phillips leads the ... See full summary »
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
Talbot uses a phony land grant to rule thirteen million acres, taxing everyone heavily and evicting those who won't pay. The Three Mesquiteers becomes mysterious "night riders" to fight ... See full summary »
Foreign agents are smuggling monium (a chemical used in producing poison gas) into Mexico. The three Mesquiteers get involved when they ride to save a girl (really a government agent) on a runaway horse.
Sent to find counterfeiters, John Wyatt joins Doc Carter's medicine show. They arrive in the town where Curly Joe runs his counterfeiting operation. Carter was once framed by Curly Joe and ... See full summary »
As a youngster John Wyatt saw his parents killed and his brother kidnapped. On a wagon train heading West he meets his brother who is now a spy for the gang which originally did the dirty work. He and his brother both fall for Mary Gordon.
Robert N. Bradbury
Frank McGlynn Jr.
Finding a deserted cattle ranch, Buck buys it and turns it into a dude ranch. But Buck is quickly in trouble with sheep men who want the ranch and then with outlaws who kidnap the daughter of the wealthy Mr. Grant.
With the stage being held up regularly, the Mesquiteers decide an airplane would be better so they get the ranchers to sell their cattle and invest in the new airline. But when a gold shipment goes out, the stage line owner has his men hijack the plane. The pilot discharges the gas causing a forced landing and the Mesquiteers must now find the missing plane and recover the gold.Written by
Maurice VanAuken <firstname.lastname@example.org>
Final film of Louise Brooks. NOTE: Contrary to popular belief, this was not intended to be her "comeback" film; she made it because she needed the money. She was paid $300 (equal to $5180, adjusted for inflation in 2017) for the film. Not long after it was released, she was found working as a salesgirl at Saks Fifth Avenue at a salary of $40 (equivelant to $690 in '17) a week. Brooks later referred to Wayne as "a purely beautiful being." See more »
[reading a reward poster]
One thousand dollars. I guess we ain't worth much to the Oro Grande Company.
That ain't no decent reward for a self-respecting bandit. What do you say we send Harmon a donation to boost the ante?
Maybe I will - after we polish off the three o'clock stage!
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The story behind the film alone is worth the viewing
_Overland Stage Raiders_ marks the convergence of two great performers, one on her way out of film, the other about to begin the most successful run in film history. Louise Brooks, star of G.W. Papst's erotic masterpiece _Pandora's Box_, makes her last appearance in this run-of-the-mill, twentieth-century entry in the "Three Mesqueeters" series. Though the plot is a preposterous hodgepodge involving the opening of air freight service to an isolated cattle town, Brooks is ever the stunner next to John Wayne, who was still a year away from A-line box office success in _Stagecoach_.
I recommend this film for three reasons:
1. The sheer curiousity value. The greatest western actor opposite the greatest actress in the history of German Expressionism while he was on his way up and she was on her way out. They met in obscurity and went on to immortality.
2. The chance to see the raw potential of John Wayne before his work with John Ford. The presence, the charisma, and the physicality that would make him a colossus are all here. Under a competent directior, these would bloom from reliable entertainment into art.
3. Everyone should see a "Three Mesqueeters" movie. This is probably the best series of the 1930s "poverty row" films, and it is a pure joy to see the workmanlike love put into these programmers. They aren't auteur classics, but for many viewers in the period, they were what movies were all about.
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