Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
The first female doctor in New York City comes up against prejudice from male counterparts who feel threatened by her skills. Eventually, though, they come to respect her and romance ... See full summary »
Madcap debutante Melsa Manton finds a body in a deserted house. Of course, the police don't believe her. Stung by Peter Ames's front page editorial decrying her "prank," Melsa enlists seven fellow debs to help her investigate. The wisecracking young ladies proceed to run circles around the police, the suspects, and the press.Written by
Rod Crawford <email@example.com>
When Melsa first calls the police at the beginning of the movie. The police cars are rushing to the Lane mansion. As they pass "Jones Drug Co" and "Barber Shop" the signs are backwards (mirror images). See more »
I think this may be Henry Fonda and Barbara Stanwyck's first movie together and sparks fly. The dialog is fast and witty. The actual mystery shown in the movie is irrelevant. If you like films from the 30's and have already seen the classics such as The Lady Eve and Palm Beach Story, then definitely see this. I wish Henry Fonda had done more comedy but he makes up for lost time here. Unlike The Lady Eve, where he is primarily the straight man (with terrific physical comedy), in the Mad Miss Manton he gives as good as he gets with his leading lady. I don't know why this movie doesn't get more attention. I think it is a lot funnier than "The Male Animal". For another comedic effort of Fonda's, watch Tales of Manhattan. He has a gem of a scene with Ginger Rogers.
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