While travelling in continental Europe, a rich young playgirl realizes that an elderly lady seems to have disappeared from the train.While travelling in continental Europe, a rich young playgirl realizes that an elderly lady seems to have disappeared from the train.While travelling in continental Europe, a rich young playgirl realizes that an elderly lady seems to have disappeared from the train.
IMDb RATING
7.8/10
53K
YOUR RATING
- Ethel Lina White(based upon the story by: "The Wheel Spins")
- Sidney Gilliat(screen play)
- Frank Launder(screen play)
- Stars
- Ethel Lina White(based upon the story by: "The Wheel Spins")
- Sidney Gilliat(screen play)
- Frank Launder(screen play)
- Stars
May Whitty
- Miss Froy
- (as Dame May Whitty)
Selma Vaz Dias
- Signora Doppo
- (as Zelma Vas Dias)
Catherine Lacey
- The Nun
- (as Catherine Lacy)
- Ethel Lina White(based upon the story by: "The Wheel Spins")
- Sidney Gilliat(screen play)
- Frank Launder(screen play)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an interview with Peter Bogdanovich, Alfred Hitchcock revealed that this movie was inspired by a legend of an Englishwoman who went with her daughter to the Palace Hotel in Paris in the 1880s, at the time of the Great Exposition: "The woman was taken sick and they sent the girl across Paris to get some medicine in a horse-vehicle, so it took about four hours. When she came back she asked, 'How's my mother?' 'What mother?' 'My mother. She's here, she's in her room. Room 22.' They go up there. Different room, different wallpaper, everything. And the payoff of the whole story is, so the legend goes, that the woman had bubonic plague and they dared not let anybody know she died, otherwise all of Paris would have emptied." The urban legend, known as the Vanishing Hotel Room, also formed the basis of one segment of the German portmanteau film Unheimliche Geschichten (1919), So Long at the Fair (1950) (in which the missing person was the young woman's brother as opposed to her mother) and Into Thin Air (1955), starring Hitchcock's daughter Patricia Hitchcock.
- GoofsIn the noisy dancing scene above Lockwood's hotel room, the clarinet is shown with the mouthpiece turned with the reed upwards. Normally the mouthpiece is turned so that the reed is downwards, but in some European folk traditions the clarinet was played with the mouthpiece "upside-down".
- Quotes
Gilbert: Can I help?
Iris Henderson: Only by going away.
Gilbert: No, no, no, no. My father always taught me, never desert a lady in trouble. He even carried that as far as marrying Mother.
- Crazy creditsClosing credits: The Characters in "THE LADY VANISHES" were played by:
- Alternate versionsA brief segment where a hotel maid bends down to pick up a hat from under a hotel bed is missing from most US releases, including Criterion's first official DVD and all bootlegs. It's intact in all official non-US releases and has been restored for Criterion's 2-disc remastered DVD.
- ConnectionsEdited from Oh, Mr. Porter! (1937)
Review
Featured review
Delightful, funny, mysterious, meticulously crafter Hitchcock!
The Lady Vanishes (1938)
A Hitchcock movie filled with mystery but lacking suspense. Which is quite fine, turning "The Lady Vanishes" into a fun movie with lots of wry jokes and clever twists. You can't take it any more seriously than Hitchcock did, and he famously had fun with his ideas. That's one reason why they are recognizably Hitch.
This is a transitional movie for the director in many ways. For one thing it was hugely successful in Britain, and then later in the U.S., and Hitchcock soon moved to Hollywood where his stellar string of successes for over 20 years began. But that said, this is a film filled with provincial humor (that was a joke, in case you are British)--that is, you need to have a feel for British humor, and for the style of joking and making witty remarks (constantly) of the time. It's a hilarious movie. When you aren't laughing you're still tickled.
Which is what disappoints some viewers expecting "Psycho" or something. Nope. But you'll recognize the director's hand here, mixing regular people who are misunderstood (if not quite accused of something they didn't do) and who end up having to solve the problem themselves. And so it goes, and they do rather well for a couple of ordinary folk.
When I say there is no suspense I mean it, even when there is uncertainty. The biggest twist of the whole plot (not to be mentioned here!) is only kept from the viewer for a short while. Then the actors tell you! Yes, you are let in on the secret, and yet the movie goes on from there. That is--it's not about worrying and trying to figure it out. It's about watching the main characters work together and piece together their way out of a sticky situation. And of course eventually fall in love.
You forget sometimes that the key element in nearly every Hitchcock movie is a love story. After all, that's what matters to most of us (or all of us?) day after day, so he zeroes in on that even as the world is threatened by uranium 235 ("Notorious"), a murderer in the apartment complex ("Rear Window"), the ghost of a previous wife ("Rebecca") and so on. (Of these, "Psycho" is an interesting exception.) So watch what is actually a romantic comedy with a dash of international intrigue in the ominous year leading up to WWII, which hasn't happened at the time of filming. Great stuff.
A Hitchcock movie filled with mystery but lacking suspense. Which is quite fine, turning "The Lady Vanishes" into a fun movie with lots of wry jokes and clever twists. You can't take it any more seriously than Hitchcock did, and he famously had fun with his ideas. That's one reason why they are recognizably Hitch.
This is a transitional movie for the director in many ways. For one thing it was hugely successful in Britain, and then later in the U.S., and Hitchcock soon moved to Hollywood where his stellar string of successes for over 20 years began. But that said, this is a film filled with provincial humor (that was a joke, in case you are British)--that is, you need to have a feel for British humor, and for the style of joking and making witty remarks (constantly) of the time. It's a hilarious movie. When you aren't laughing you're still tickled.
Which is what disappoints some viewers expecting "Psycho" or something. Nope. But you'll recognize the director's hand here, mixing regular people who are misunderstood (if not quite accused of something they didn't do) and who end up having to solve the problem themselves. And so it goes, and they do rather well for a couple of ordinary folk.
When I say there is no suspense I mean it, even when there is uncertainty. The biggest twist of the whole plot (not to be mentioned here!) is only kept from the viewer for a short while. Then the actors tell you! Yes, you are let in on the secret, and yet the movie goes on from there. That is--it's not about worrying and trying to figure it out. It's about watching the main characters work together and piece together their way out of a sticky situation. And of course eventually fall in love.
You forget sometimes that the key element in nearly every Hitchcock movie is a love story. After all, that's what matters to most of us (or all of us?) day after day, so he zeroes in on that even as the world is threatened by uranium 235 ("Notorious"), a murderer in the apartment complex ("Rear Window"), the ghost of a previous wife ("Rebecca") and so on. (Of these, "Psycho" is an interesting exception.) So watch what is actually a romantic comedy with a dash of international intrigue in the ominous year leading up to WWII, which hasn't happened at the time of filming. Great stuff.
helpful•103
- secondtake
- Oct 13, 2012
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