The world famous violinist Holger Brandt comes back to his family after a tour. He and his wife have been married for many years, but their love has gone. Their young daughter gets a new ... See full summary »
Young Kerstin Norbäck lives in a small town. She has a relationship with a sailor, but when she tries to leave him, he shoots her. She survives and begins a new life in Stockholm. There she... See full summary »
Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. ... See full summary »
Lena Bergström works in an office and is unhappily in love with her boss, Johan Borg. She decides to quit. Borg's wife won't have any children, and when she becomes pregnant she has an ... See full summary »
In one of the narrow streets of the Old town of Stockholm lies hotel City. It's inhabited by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Göransson is ... See full summary »
A concert violinist becomes charmed with his daughter's talented piano teacher. When he invites her to go on tour with him, they make beautiful music away from the concert hall as well. He ... See full summary »
Funfair worker Valdemar is unknowingly the illegitimate son of a rich landowner, colonel Von Brede. The colonel knows and employs Valdemar as his stable master. The colonel has a young and ... See full summary »
Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Eva Bergh works as a bank clerk, but dreams of becoming an artist. At a party she meets the rich Harald Ribe and he instantly falls in love with her. When he proposes to marry her she has ... See full summary »
During the 1930s, a teenager yearns for a Catholic girl, whose only desire is to reform his sinful tendencies. Hormones raging, the young man channels his unsatisfied lust into the only outlet available: savage, crazed violence.
The Swedenhielms is an old aristocratic family. The head of the family is professor Rolf Swedenhielm. His three children Bo, Julia and Rolf Jr also live in the house. They also have an ... See full summary »
When she was a child, Anna Holm burned her face. This destroyed her looks, and she has become a mean and bitter woman. She and her 'friends' are black-mailers. One of the victims pay her by letting a plastic surgeon, doctor Wegert, make her beautiful again. Anna becomes a new person and leave the others. She becomes a governess for a young boy, who will inherit a fortune. The boy has an evil uncle, who wants to see the boy dead, so that he will inherit the fortune. He hires Anna's former colleagues as assassins.Written by
According to Anthony Burgess' Bergman biography "My Life", director Gustaf Molander had trouble with the ending. He stopped the filming for two days without getting any reasonable ideas. Finally, he asked Ingrid Bergman what she would think was the best. Bergman suggested that Anna Holm should face a murder charge but be acquitted by the court. This is far from the ending in the final film. See more »
When Anna leaves Harald's hospital room, the door handle is on her right. As she's pausing outside the room, the (closed) door handle is *still* on her right, opposite where it should be. See more »
This film, which was the original 1938 Swedish version of A WOMAN'S FACE (1941) later popularized by Joan Crawford at MGM. This original version made its US TV debut on Turner Classic Movies this past Friday night. Ingrid Bergman, before she came to America, is the lead as Anna Holm, a scarred black mailer who undergoes plastic surgery that changes her path and outlook on life. It's kind of hard to know if the acting is brilliant or not since it is all in Swedish with English subtitles, but the film holds your interest. It is different in many ways than the 1941 version, but also similar in others. Bergman's performance is comparable to Crawford's, but Bergman's disfigurement is more brutally realistic as are the stark atmosphere and settings in this version; MGM gave their version the usual glamour treatment. Overall, the film deserves 3 out of 4 stars and it's wonderful to finally see this on American TV.
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