5.4/10
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27 user 6 critic

The Goldwyn Follies (1938)

Movie producer chooses a simple girl to be "Miss Humanity" and to critically evalute his movies from the point of view of the ordinary person. Hit song: "Love Walked In."

Directors:

George Marshall, H.C. Potter (uncredited)

Writers:

Ben Hecht (story and screen play), Sid Kuller (special sequences: Ritz Brothers) | 3 more credits »
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Nominated for 2 Oscars. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Adolphe Menjou ... Oliver Merlin (as Adolph Menjou)
The Ritz Brothers ... The Ritz Brothers
Vera Zorina ... Olga Samara
Kenny Baker ... Danny Beecher
Andrea Leeds ... Hazel Dawes
Edgar Bergen ... Edgar Bergen
Charlie McCarthy ... Charlie
Helen Jepson ... Leona Jerome
Phil Baker ... Michael Day
Bobby Clark ... A. Basil Crane Jr.
Ella Logan ... Glory Wood
Jerome Cowan ... Director
Charles Kullmann Charles Kullmann ... Alfredo in 'La Traviata'
The American Ballet of the Metropolitan Opera The American Ballet of the Metropolitan Opera ... Ballet Dancers
Nydia Westman ... Ada
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Storyline

Movie producer chooses a simple girl to be "Miss Humanity" and to critically evalute his movies from the point of view of the ordinary person. Hit song: "Love Walked In." Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

And now the aristocrat of the fun shows


Certificate:

Passed | See all certifications »
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Details

Official Sites:

MGM

Country:

USA

Language:

English | French | Italian

Release Date:

4 February 1938 (USA) See more »

Also Known As:

Goldwyn Follies See more »

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Box Office

Budget:

$1,800,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(TCM print) | (copyright length)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

A large number of writers were hired at one time or another to write the script, including Bert Kalmar, Harry Ruby, George Jessel, Harry W. Conn, Alan Campbell, Anita Loos, John Emerson, Alice Duer Miller and Dorothy Parker. Samuel Goldwyn rejected their scripts and finally hired Ben Hecht (who wrote his script in two weeks) for the final version. It is not known if any of the earlier work was used in Hecht's version. See more »

Goofs

Stage hands' shadows can be seen throwing out cats, during the Ritz Brothers' "Pussycat Song" number. See more »

Quotes

Danny Beecher: You live near here?
Hazel Dawes: Just down the street.
Danny Beecher: Oh, that's too bad. I was hoping for a long walk. But maybe you'd like to go exploring? I heard there's an ocean near here and we could sit on the beach and get sunburned.
Hazel Dawes: Tonight?
Danny Beecher: I'm sorry. With you, it seems like the sun *is* shining.
See more »

Connections

Referenced in Fantasia (1940) See more »

Soundtracks

I Love to Rhyme
(1937) (uncredited)
Music by George Gershwin
Lyrics by Ira Gershwin
Performed by Phil Baker on accordian, with assistance from Edgar Bergen
See more »

Frequently Asked Questions

See more »

User Reviews

 
Two great Gershwin songs in an amusing razzberry aimed at Hollywood by Sam Goldwyn and Ben Hecht
15 February 2008 | by Terrell-4See all my reviews

Probably the only reason for remembering The Goldwyn Follies is that it's the movie George Gershwin was working on when he died at 38 of a brain tumor. In truth, the movie is a mish- mash, although a good-natured one, involving comedy bits, musical numbers and what Goldwyn considered "class." The best thing about the film are two George and Ira Gershwin songs that are as fresh and wise today as when they were written, "Our Love Is Here to Stay" and "Love Walked In." The story line is as thin as a thread, designed to keep the numbers coming and to provide some fun at Hollywood's expense. Ben Hecht is credited with the screenplay. He artfully places some banderillas that probably puckered the skin of several types of Hollywood denizens, from producers to divas to sycophants to...you get the idea.

Hollywood producer Oliver Merlin (Adolphe Menjou) has convinced himself he needs someone to tell him honestly about the new movie he's working on, someone who will represent the big audience out there. On a location shoot he meets a young woman who fits the bill. She's Hazel Dawes (Andrea Leeds), gentle, sincere and honest. "I'm a producer of movies," he tells her. "I get my wagonloads of poets and dramatists, but I can't buy common sense. I cannot buy humanity!" "Well, I don't know why, Mr. Merlin. There's an awful lot of it," Hazel says. Merlin looks at her impatiently. "Yes, I know," he says, "but the moment I buy it, it turns into something else, usually genius, and it isn't worth a dime. Now, if you could stay just as simple as you are, you'd be invaluable to me. I'll put you on my staff. I'll give you a title, 'Miss Humanity.' Don't rush, you can finish your ice cream soda." Merlin brings her to Hollywood and consults her on everything from script changes to plot developments. Of course, she also meets a young man, Danny Beecher (Kenny Baker), who has a great tenor and a way with flipping hamburgers. Merlin makes changes in his movie. There's love, a brief misunderstanding quickly resolved and then a happy ending.

All this is just a clothes line to hang the comedy and musical numbers on. This is a review movie and Goldwyn gives us a lot to watch, including his idea of culture. This has usually meant excerpts from opera, over-produced and sung straight ahead. Here, we get a bit of an aria from Traviata. We also get a genuinely stunning water-nymph ballet danced by Vera Zorina, choreographed by George Balanchine and with music by Vernon Duke. But we also get the Ritz Brothers, frenetic, anarchic and, above all else, loud. They were big stuff in the Thirties. I think nowadays they'd be an acquired taste. Bobby Clark, a great burlesque, vaudeville and stage star, shows up as a casting director, all leers and cigars. Edgar Bergen and Charlie McCarthy make several appearances. I've always been intrigued at how Bergen could maintain such a sharply split personality between himself and his wooden pal. Bergen may be bland but McCarthy really is funny, especially when looking at tall showgirls. Phil Clark, a comic big in vaudeville and radio, shows up in a recurring gag and finally faces off with McCarthy. There's even Alan Ladd in a brief bit as one of several awful singers auditioning for a part in Merlin's movie. Kenny Baker, who was a singer much like a young Dick Powell but without the cockiness, does full justice to the two great Gershwin songs.

The Goldwyn Follies sprawls all over the place, still I like it. First, because it provides a look at some stars we've nearly forgotten, people like Edgar Bergen, Vera Zorina, Phil Baker and Bobby Clark. Even the Ritz Brothers. These were people who knew their stuff. They were professionals and it comes through. Second, those Gershwin songs. They are so good they lift the movie whenever Baker sings them. For me, they create a bittersweet feeling. George Gershwin was at the height of his powers when he wrote them. What on earth could he have created if he'd lived? So here's to George and Ira...

The more I read the papers, the less I comprehend. / The world and all it's capers and how it all will end.

Nothing seems to be lasting, but that isn't our affair. / We've got something permanent, / I mean in the way we care.

It's very clear, our love is here to stay. / Not for a year, but ever and a day.

The radio and the telephone / And the movies that we know, / May just be passing fancies and in time may go.

But, oh my dear, our love is here to stay. / Together we're going a long, long way.

In time the Rockies may crumble, / Gibraltar may tumble, they're only made of clay. / But our love is here to stay.


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