Two newspaper reporters, Thomas "Breezy" Elliott and Jane Morgan, inadvertently send a boy named Mickey Fallon to reform school after they write an expose of the illegal slot-machine racket... See full summary »
Irene Dunne is married to Ralph Bellamy. Their union is comfortable but all that changes when Bellamy's old flame Constance Cummings comes back to town. Will the the thrill of loves past disrupt their happy home?
British officer is assigned to duty in Ireland and gets embroiled in Anglo-Irish battles and old girl friend who is now married to an Irishman. Powell learns more than he wanted to know ... See full summary »
Professor Hardwick teaches at Winfield College and detests the new swing music that is the craze. He has written a rhapsody which he takes to New York to be published. Staying with his Aunt... See full summary »
Federal Airlines ace pilot Chick Faber is grounded by Flight Superintendent Bill Graves when a doctor says his eyesight is failing. Aided by Mary Norvell and Nan Hudson, Graves persuades ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip.Written by
Tony Fontana <email@example.com>
Of the songs written for this film by Richard Rodgers and Lorenz Hart, only one would be sung on screen, "There's a Boy in Harlem," vocalized by Jeni Le Gon and The Three Brown Sisters, accompanied by Les Hite and His Orchestra. "Food for Scandal" (the working title of this feature) served as rhyming patter between Carole Lombard and Fernand Gravey (plus some whistling done by Mr. Gravey alone). Heard in the picture as background music, "How Can You Forget?" was revived in 1958, complete with a Benny Goodman arrangement, for a Broadway play, "The World of Suzie Wong." Three tunes submitted by Rodgers and Hart for the feature were discarded: "Let's Sing About Nothing," "Love Knows Best" and "Once I Was Young." According to Richard Rodgers in "Musical Stages: An Autobiography," published in 1975, the songwriters became aware of the fate of their score when they went to see the picture. See more »
You know, today, I saw Paris for the first time. Isn't France wonderful! Everybody speaks French, even the children.
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The opening credits say "Music and Lyrics by Richard Rodgers and Lorenz Hart" even though Rodgers wrote only the music and Hart only the lyrics. See more »
and it was largely because of the Lombard/Gable ''scandal''. Their affair had become very public by 1938 and was probably not greeted with open arms by the American filmgoing audience at the time, considering that Gable was already ''respectably'' married. Lombard did not then endear herself to her public and why should she have? Gable was the idol of millions of women and Lombard was an unwelcome bubble burster. Look at the box office performance of this and her subsequent films, they were virtually all flops until her fortunes began to revive, slightly, with Mr and Mrs Smith. By this time the burning jealousy of those millions of women had softened somewhat. It's kind of fascinating. Fools For Scandal was an expensive and derisive echo of My Man Godfrey, and nowhere near as good. But it was by no means the worst film of the year. A misfire, no doubt. But one with a certain amount of cache. One thing's for sure, it did not result in any kind of a contract for Lombard at Warner Brothers, under the helm of the miserly Jack Warner.
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