Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
Poor Mary Smith can't go night-clubbing or have any other fun because any hint of scandal could damage her father's political career. She decides to rebel and convinces her two maids to let her go along with them on a blind date with some rodeo performers. She tells her date, Stretch, that she's a parlor maid and that she left home because her father beat her. The two fall in love and elope. Now Mary has a double dilemma: continuing her charade with Stretch and keeping her marriage a secret from her father.Written by
The original writer, Leo McCarey, declined Samuel Goldwyn's offer to direct. William Wyler then began as director of the film, but walked off the set after an argument with Goldwyn about the extensive retakes Goldwyn demanded. Goldwyn suspended Wyler, who did not return as director on the film. However, he and Goldwyn eventually settled their differences, and Wyler directed Goldwyn's next film, Wuthering Heights (1939). H.C. Potter was brought in to replace Wyler, but production and script problems resulted in the film going way over schedule, and Potter had to leave before the film was finished due to his commitment to direct The Story of Vernon and Irene Castle (1939). Editor Stuart Heisler was brought in to finish directing the film. See more »
During the initial blind date between the girls and the rodeo cowboys, they take a walk along the beach. Upon entering the gate to the house, the sound of a ukulele being played is heard, but Buzz (the ukulele player) is holding the ukulele in one hand, not playing it. See more »
Hey, you don't suppose she married him for his money, do you?
Well, he got a job, ain't he?
Yeah, I never thought of that.
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The Cowboy and the Lady will never be listed among the top features of either Gary Cooper and Merle Oberon's careers, but it has a unique place in Hollywood lore. Supposedly producer Sam Goldwyn came up with this title and then set about hiring the creative title to fashion a story and then a film from it. Not the usual way the creative process flows even in Tinseltown.
Merle is yet another rich girl who's bored living in her mansion because politically minded dad, Henry Kolker who's running for president. This budding Theodore Roosevelt doesn't want an Alice on his hands, he keeps Merle on a tight leash. Even after she gets busted in a nightclub raid with her fun loving uncle Harry Davenport.
When two of her maids go out on a double date with a pair of traveling rodeo cowboys, Merle goes along because the cowboys have a third and she hits the jackpot because the third is Gary Cooper. Of course Merle pretends to be a third maid.
Anyone who saw even a couple of thirties screwball comedies knows exactly how this one is ending up. Director H.C. Potter borrowed rather liberally from Frank Capra, there are elements of Mister Deeds Goes to Town and It Happened One Night in the story.
Still it's a pleasant enough piece of fluff and sure didn't do anyone's career any harm who was associated with it. Look for good typecast performances from Patsy Kelly and Mabel Todd as the maids and Walter Brennan and Fuzzy Knight as Cooper's rodeo buds. They all perform strictly to type.
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