Pepe Le Moko, a thief who escaped from France with a fortune in jewels, has for two years lived in, and virtually ruled, the mazelike, impenetrable Casbah, "native quarter" of Algiers. A French official insists that he be captured, but sly Inspector Slimane knows he need only bide his time. The suave Pepe increasingly regards his stronghold as also his prison, especially when he meets beautiful Parisian visitor Gaby, who reminds him of the boulevards to which he dare not return...and arouses the mad jealousy of Ines, his Algerian mistress.Written by
Rod Crawford <firstname.lastname@example.org>
The main theme and the closing credits music are identical to those heard in Pépé le Moko (1937), of which this film is an extremely faithful remake, except for the way the story ends. See more »
I'm not interested in hearing excuses about local conditions. No doubt there are local conditions. Here's a criminal who's exploits have made him notorious throughout Europe. He escaped from France with a fortune in jewels and for two years he's been living here in Algiers, within a stone's throw of your headquarters.
As you say, Commissioner.
I'm here to settle this - and I want it done quickly.
We've been trying to settle the case of Pepe le Moko for two years.
In Paris, we handle ...
[...] See more »
When complete cast credits are listed at the start of a movie and at the end, there are usually no changes. In this movie, the end credits reverse the order of the last two credits: Bert Roach follows Ben Hall. See more »
Some prints have a different opening credits sequence, in which the credits are shown against a black background. See more »
I've heard of this movie, and when I finally had a chance to view it, I was hooked. I actually thought I was in Algiers and the casbah. When I first saw Hedy Lamarr make her entrance, I was hooked again. What a vision of beauty. I could see now when fans talk about legendary beauties of Hollywood, she is most mentioned. Charles Boyer was great as Pepe La Moko, and so was Gene Lochart as the informer. To me, the ending was most tragic, and I will never forget the fading ship sailing away and Hedy's vision, never to see her lover again. No wonder its a classic. They don't make movies like these anymore, the pity of it all.
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