While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she brings the police to the scene of the crime, they think she's crazy since ... See full summary »
Edward Everett Horton
Marco Polo travels from Venice to Peking, where he quickly discovers spaghetti and gunpowder and falls in love with the Emperor's daughter. The Emperor Kublai Khan is a kindly fellow, but his evil aide Ahmed wants to get rid of Kublai Khan so he can be emperor, and to get rid of Marco Polo so he can marry the princess. Ahmed sends Marco Polo to the West to fight barbarians, but he returns just in time to save the day. Written by
John Oswalt <firstname.lastname@example.org>
According to an obituary for actor and stuntman Richard Farnsworth, he was cast as one of the 500 Monogolian horsemen in the film; however, his appearance in the final film has not been confirmed. See more »
When Marco crosses a bridge, his party is attacked and his horse is driven over a cliff. A safety wire is clearly visible on the rider. See more »
You have never seen food like this before?
No. What is it? Snakes?
No! No, it has been eaten by the poor people in China for generations. We call it 'spah- get'.
See more »
Opening credits prologue: FOREWORD: Marco Polo lived in Venice seven hundred years ago. He was the first European to visit China and write the story of his adventures in that land of magic and mystery.
He was also the first traveling salesman. . . . . . . See more »
This is one of the oddest films to be made in pre-war America. Gary Cooper plays the Venetian explorer, and the film opens in a Venice seemingly constructed of cardboard. Here he is pursued by his comic servant, a sort of cross between a midget and a hyperactive gondolier.
In no time at all, we are in the mysterious realm of Cathay, where the streets are exotic, but seemingly made of cardboard as well. Marco is attracted by a strange voice - these medieval Chinese (or Mongols?)speak with impeccable Oxbridge accents. And this one, oddly enough, is reading to his children on some sort of verandah facing the street. This public recitation is from the New Testament, and Marco immediately completes the phrase, as it were. The placid mandarin figure takes this in his stride, and happens to mention that he is treating his son to a crash course in both eastern and western wisdom - which is not bad for a place that has not yet been visited by a European.
Soon our Gary (er, Marco) is served a mysterious oriental dish called 'spaghet', which he thinks he will introduce to Venice when he returns.
At the royal palace (made of a superior form of cardboard), he is soon immersed in the intrigues of the court of Kublai Khan. After some swashbuckling and some overacting, he falls for a beautiful princess. Alas, she is pledged to another, but our hero is given the task of escorting her to her intended.
And so they sail away into the sunset on a large sea-going junk (!), and he states that he will at least have her to himself for the year long voyage. The film ends on this morally dubious note, and the implication is that he eventually returned with his spaghetti to Venice and opened a restaurant.
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