An actress is murdered by her estranged husband, who is jealous of all of her young boyfriends. The next day, writer Robert Tisdall (who happens to be one such boyfriend) discovers her body on the beach. He runs to call the police, however, two witnesses think that he is the escaping murderer. Robert is arrested, but owing to a mix-up at the courthouse, he escapes and goes on the run with a Police Constable's daughter Erica, determined to prove his innocence.Written by
Col Needham <firstname.lastname@example.org>
The hand that pulls Erica Burgoyne (Nova Pilbeam) out of the hole in the mine scene was that of her future husband Pen Tennyson. They met on this movie. They were married from October 19, 1939, until he was killed in a plane crash on July 10, 1941, at the age of twenty-eight. See more »
When Erica and Robert are driving away from the police after being identified by one of the policemen, Erica turns the steering wheel multiple times but the car is shown driving straight ahead. See more »
Don't shout, I tell you! Don't shout!
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The screen credits list (seventh in order) a character "Guy", but no character is ever named "Guy" in the movie. The actor matched up in the credits with this non-existent character is George Curzon; Curzon in fact plays the husband of Christine Clay and has a substantial scene with her in the opening scene of the movie. See more »
A truly charming film from the Master of Suspense. Being a rather huge Hitch fan, I recently sought out some lesser known films from his early period. Of those I viewed ("Number 17," & "Murder!" among others) this one was my favorite--among the best of his Pre-Hollywood films. There is the usual mixture of humor and suspense, some nice camera work (including a wonderful precursor to the "key-in-hand" shot of "Notorious"), and most importantly, Nova Pilbeam. I'm not sure how this actress managed to play her scenes SO appealingly, and yet managed to have fallen SO completely off the acting radar. How many people today have her name rattling about their cerebral attic? Virtually none, I'd hazard, and yet she is terrific here--worth the effort of finding the video for her performance alone.
This film certainly is not in the same league as Hitch's best, but still is vastly superior to the average suspense film coming out of Hollywood today--or any other day, for that matter.
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