A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
A film actress is murdered by her estranged husband who is jealous of all her young boyfriends. The next day, writer Robert Tisdall (who happens to be one such boyfriend) discovers her body on the beach. He runs to call the police, however, two witnesses think that he is the escaping murderer. Robert is arrested, but owing to a mix up at the courthouse, he escapes and goes on the run with a police constable's daughter Erica, determined to prove his innocence.Written by
Col Needham <firstname.lastname@example.org>
The hand that pulls Nova Pilbeam's character Erica Burgoyne out of the hole in the mine scene was that of her future husband Pen Tennyson; they met on this film. They were married from October 19, 1939 until he was killed in a plane crash on July 10, 1941 at the age of 28. See more »
There is much inconsistency in the newspaper reports of Christine Clay's murder: one is published on Friday September 3rd 1937, but the next is dated Monday January 6th 1936. Another seems to be merely dated Tuesday. See more »
Don't shout, I tell you! Don't shout!
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The screen credits list (seventh in order) a character "Guy", but no character is ever named "Guy" in the movie. The actor matched up in the credits with this non-existent character is George Curzon; Curzon in fact plays the husband of Christine Clay and has a substantial scene with her in the opening scene of the movie. See more »
A truly charming film from the Master of Suspense. Being a rather huge Hitch fan, I recently sought out some lesser known films from his early period. Of those I viewed ("Number 17," & "Murder!" among others) this one was my favorite--among the best of his Pre-Hollywood films. There is the usual mixture of humor and suspense, some nice camera work (including a wonderful precursor to the "key-in-hand" shot of "Notorious"), and most importantly, Nova Pilbeam. I'm not sure how this actress managed to play her scenes SO appealingly, and yet managed to have fallen SO completely off the acting radar. How many people today have her name rattling about their cerebral attic? Virtually none, I'd hazard, and yet she is terrific here--worth the effort of finding the video for her performance alone.
This film certainly is not in the same league as Hitch's best, but still is vastly superior to the average suspense film coming out of Hollywood today--or any other day, for that matter.
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