An actress is murdered by her estranged husband, who is jealous of all of her young boyfriends. The next day, writer Robert Tisdall (who happens to be one such boyfriend) discovers her body on the beach. He runs to call the police, however, two witnesses think that he is the escaping murderer. Robert is arrested, but owing to a mix-up at the courthouse, he escapes and goes on the run with a Police Constable's daughter Erica, determined to prove his innocence.Written by
Col Needham <firstname.lastname@example.org>
There is much inconsistency in the newspaper reports of Christine Clay's murder: one is published on Friday September 3rd 1937, but the next is dated Monday January 6th 1936. Another seems to be merely dated Tuesday. See more »
Don't shout, I tell you! Don't shout!
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The screen credits list (seventh in order) a character "Guy", but no character is ever named "Guy" in the movie. The actor matched up in the credits with this non-existent character is George Curzon; Curzon in fact plays the husband of Christine Clay and has a substantial scene with her in the opening scene of the movie. See more »
Nice Hitchcock touches elevate this film above your usual mystery romance.
In this near classic from director Alfred Hitchcock, a police detective's daughter and a writer get tangled up in a murder case, and the chase is on! While they are being pursued by the authorities, they themselves are searching for clues that might prove the writer is innocent. Nice Hitchcock touches elevate this film above your usual mystery romance. Nova Pilbeam and Derek DeMarney deliver charismatic performances as the two leads in the film. As usual, Hitchcock has paid careful attention to detail, continuity and pacing of the story, and the result is still entertaining decades later. This is a film which has aged rather well. There are so many delightful scenes in this movie that it is hard to pick a favorite. This film reveals all of the signs of genius that Hitchcock would continue to display for many years after this 1937 outing. "Young and Innocent" is said to be one of Hitchcock's personal favorites from the films that he made in Great Britain before his "Hollywood" era began. In my estimation, "Young and Innocent" is just a hair's width from being as good as the other two early directorial triumphs made by him in his British era which are considered classics: "The Thirty Nine Steps" and "The Lady Vanishes." For Hitchock fans, this is one of his must see films. 86/100.
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