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True Confession (1937)

Approved | | Comedy, Crime | 24 December 1937 (USA)
A lawyer defends his wife, a pathological liar, in a murder trial.

Director:

Wesley Ruggles

Writers:

Claude Binyon (screenplay), Louis Verneuil (play) | 1 more credit »
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Cast

Cast overview, first billed only:
Carole Lombard ... Helen Bartlett
Fred MacMurray ... Kenneth Bartlett
John Barrymore ... Charley Jasper
Una Merkel ... Daisy McClure
Porter Hall ... Mr. Hartman
Edgar Kennedy ... Darsey
Lynne Overman ... Bartender
Irving Bacon ... The Coroner
Fritz Feld ... Krayler's Butler
Richard Carle ... Judge
John T. Murray ... Otto Krayler
Tom Dugan ... McDougall (as Tommy Dugan)
Garry Owen Garry Owen ... Tony Krauch
Toby Wing ... Suzanne Baggart
Hattie McDaniel ... Ella
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Storyline

Helen and Ken are a pretty strange couple. She is a pathological liar, and he is a scrupulously honest (and therefore unsuccessful) lawyer. Helen starts a new job, and when her employer is found dead, all the (circumstantial) evidence points at her. She is put on trial for murder, and her husband defends her. He thinks she is lying again when she says she didn't do it, and insists she plead that she did, but in self defense. Charlie, a shady, odd character who may or may not know something about what really happened, hangs around the courtroom and jail making rude comments and noises. After Helen is acquitted, he tries to blackmail them. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

lawyer | trial | secretary | liar | murder | See All (10) »

Genres:

Comedy | Crime

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 December 1937 (USA) See more »

Also Known As:

La folle confession See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Though the song "True Confession," with music by Frederick Hollander and lyrics by Sam Coslow, is listed in the credits, the song itself is never performed in the film, though its melody is incorporated into Hollander's background score. See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

Charles "Charley" Jasper: You bore me. Fill my glass.
George: Yeah, where's your money?
Charles "Charley" Jasper: What is money? Pathetic scraps of metal, paper crawling with germs. Fill my glass.
George: Yeah, as soon as you toss a few germs my way.
See more »

Connections

Version of Cross My Heart (1946) See more »

Soundtracks

True Confession
Music by Friedrich Hollaender (as Frederick Hollander)
Lyrics by Sam Coslow
See more »

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User Reviews

 
The Totally Delightful Carole Lombard in a Screwball Comedy
11 October 2008 | by robert-temple-1See all my reviews

Carole Lombard died tragically in a plane crash at the age of only 34. But before that, she made many memorable films, and this is one of the best. Directed excellently by Wesley Ruggles, it is based on a French play entitled 'Mon Crime' ('My Crime') by Georges Berr and Louis Vernueil. Lombard's wildly wacky personality was probably unique in the cinema. As a comedienne of a certain specific type, she was simply tops. This film is perfectly delightful from beginning to end because of her amazing performance. A very young Fred MacMurray, in only the second year of his feature career, and wearing a bizarre thin moustache which does not suit him, gives admirable support as her stuffy husband. In the story, Lombard plays a woman who writes short stories and lives half in her imagination, and is not wholly in touch with reality. She improvises the most amazing lies on the spot, in a compulsive manner, but also as part of her wifely 'wangling', which is so hilarious to watch. Lombard's charm is so total that no fault which she can possibly have can remain unforgiven. She is, after all, not malicious, but merely manically inventive in her slim grasp of the lineaments of the truth. She plays this character with such irresistible and overwhelming appeal that we accept all of this without question, and we apportion no blame. We just watch her all agog as she stumbles from one complicated situation to another, caused by a mixture of chance and her spontaneous lies. She ends up pleading guilty in court to a murder which she did not commit, because she is so carried away by the prospect of her husband, a lawyer, making a dramatic speech in her defence that she forgets that by lying about being guilty she actually risks being sent to the electric chair! There are some dark and hair-raising elements to this story, which suggest that the French play had a more serious purpose. But this is a Lombard vehicle, and the jolly music on the sound tack continually reassures us that nothing bad will really happen to poor old Carole. John Barrymore crashes his way into this film, and hams it up as an impoverished alcoholic who becomes entangled with the story. We could well have done without him. He always went over the top, and this film is no exception. Una Merkel is delightful and witty as Carole's best friend. Carole came from Indiana and Una came from Kentucky, just next door, and they must have had a thing or two to say to each other in private about their part of the world, but of course when you are elevated to the status of deity by entering a Hollywood pantheon, you all become acquainted as denizens of the Sky. It is such a shame that Carole ascended to the Sky for real at such a ridiculously early age. She was a very great loss indeed to the silver screen, but at least we have gems like this to remind us of her unique talents.


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