Mr Moto competes with a gang of ruthless treasure-hunters for possession of seven scrolls which, when brought together, form a map which reveals the location of the tomb of Genghis Khan, reputed to contain fabulous treasure. Moto already has one scroll, but the rest are owned by Prince Chung and his mother, who consider it a sacred duty to their ancestors to protect the scrolls and the secret of the Khan's tomb.Written by
Daniel Frankham <danielf@my-Deja.com>
The McGuffin in John Marquand's original novel was stolen Chinese art treasures, but that was changed in the film adaptation to seven scrolls which, when combined, would lead to the location of Genghis Khan's hidden tomb and treasure. See more »
Mr. Moto must track down a complete set of ancient Chinese Scrolls to solve multiple murders.
Exemplary Mr Moto entry is the darkest in the series and boasts a compelling emotional undertow that's as effective as it is unexpected. For once, the lame comic relief is expunged (studio execs, no doubt, forced its quick return) which allows Peter Lorre's wonderful characterization an extra bit of space to work in while following the procedural detective tropes and handling Moto's apt witticisms. (That's Lorre's stunt double handling the physical stuff.) The basic story involving some antique Chinese scrolls that make up a sort of treasure map was (atypically) based on a novel by Moto creator John P. Marquand and this may add to the tough, blunt tone hiding just below the surface. All the Moto films entertain, but this one sticks with you.
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