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Stella Dallas (1937)

Approved | | Drama, Romance | 6 August 1937 (USA)
A working-class woman is willing to do whatever it takes to give her daughter a socially promising future.

Director:

King Vidor

Writers:

Sarah Y. Mason (screenplay), Victor Heerman (screenplay) | 3 more credits »
Reviews
Nominated for 2 Oscars. See more awards »

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Cast

Complete credited cast:
Barbara Stanwyck ... Stella Dallas
John Boles ... Stephen Dallas
Anne Shirley ... Laurel Dallas
Barbara O'Neil ... Helen Morrison
Alan Hale ... Ed Munn
Marjorie Main ... Mrs. Martin
George Walcott ... Charlie Martin
Ann Shoemaker ... Miss Margaret Phillibrown
Tim Holt ... Richard Grosvenor
Nella Walker ... Mrs. Grosvenor
Bruce Satterlee Bruce Satterlee ... Con Morrison
Jimmy Butler ... Con Morrison - Grown Up
Jack Egger Jack Egger ... John Morrison
Dickie Jones ... Lee Morrison
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Storyline

Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their eventual separation. Stephen later marries Helen Morrison (his prior fiancée), and Laurel becomes the focus of Stella's life and love. Nothing is too good for Laurel as far as Stella is concerned. Determined to give her all the advantages, she takes Laurel on a trip to an expensive resort where Laurel makes friends with rich kids. After an embarrassing incident, Stella realizes that her daughter would go farther in life without Stella as her mother. Her subsequent sacrifice is shattering. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

The emotional classic of the screen See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

6 August 1937 (USA) See more »

Also Known As:

Stella Dallas See more »

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Box Office

Gross USA:

$2,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to Anne Shirley, Barbara Stanwyck was the ultimate professional on set - "She was prepared to the very top of her ability. Dialogue learned perfectly. Hair, clothes, energy ready." See more »

Goofs

When Stella is working on the sofa in her light robe you can see the padding on her rear. This is later in the movie. See more »

Quotes

Stella Martin 'Stell' Dallas: I've always been known to have a stack of style!
See more »

Connections

Referenced in Susan Slept Here (1954) See more »

Soundtracks

Happy Birthday to You
(1893) (uncredited)
Written by Mildred J. Hill and Patty S. Hill
Variations in the score for Laurel's birthday party
See more »

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User Reviews

The mother of all soap operas...
30 May 2004 | by DoylenfSee all my reviews

BARBARA STANWYCK knew a good, earthy role when she saw it--and knew she could do justice to STELLA DALLAS. And she does. But still, there are times when the sentiment is poured on just a bit too thick for current taste--and there are scenes where she is almost a caricature of the vulgarized creature she has become. Stanwyck's fans will probably count this among her best--but I have to admit I prefer her way with comedy in THE LADY EVE or her way with wickedness as the femme fatale of DOUBLE INDEMNITY. Here she's a good actress--but the performance is a bit mechanical at times. As for the story itself, well it is pure unadulterated soap opera and no amount of acting skill can make us forget we're watching a teary drama of sacrificial mother love.

A more subtle drama of this kind of sacrifice came later in films such as TO EACH HIS OWN--done with even more honesty and skill than the script permits here. John Boles is as bland as ever in his role as Stella's rich (and rather stuffy) husband; and Alan Hale reminds us that he was one of the most watchable character actors, no matter how obnoxious his roles were. Anne Shirley does nicely as the daughter Stanwyck is willing to sacrifice for--but the truth is, it all seems a bit old-fashioned and must have seemed so even back in 1937.

Still, there is no denying the interest in seeing how Stanwyck plays Stella. There are times when she makes the emotions seem as natural, real and raw as they could possibly be. All in all, a satisfying soap opera under King Vidor's direction.

Excellent support from handsome young Tim Holt as Anne's boyfriend and Barbara O'Neil as an understanding wife who sympathizes with Stanwyck's plight.


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