The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
When a death row prisoner tells him he wouldn't have led a life of crime if only he had had one friend as a child, Father Edward Flanagan decides to do something about. An advocate of child... See full summary »
Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of alcoholic star Norman Maine, is given a test, and is caught up in the Hollywood glamor machine (ruthlessly satirized). She and her idol Norman marry; but his career abruptly dwindles to nothing Written by
Rod Crawford <email@example.com>
The celebrated final line of the film was an afterthought. The original scene had Esther arriving at the Chinese Theater and collapsing in the forecourt sobbing, "Oh, Norman! Norman!" The scene was reshot two ways: with the familiar "Mrs. Norman Maine" tagline and the oddly irrelevant "Hello, everybody, this is Vicki Lester." See more »
In the night court scene, the judge refers to the "commonwealth" but the movie is set in California which isn't one of the states to have commonwealth status. The judge should have referred to the "state" instead. See more »
When you see this masterpiece, remember that more than 65 years have passed since it debuted on the big screen. How many contemporary films will dazzle and delight in 2065?
Sure, we have seen this story before, but this was the first incarnation. Sure all films are in color today, but notice the rich, full-rigged use of color here, only a decade after talkies began. Dialogue sound familiar, well many of the lines originated here (thanks Dorothy Parker).
First caught this in the movie theatre around 1975 as this David O. Selznick production had been out of circulation. Judy Garland's troubled but ultimately engrossing and hugely entertaining remake was already familiar to me. So how does a classic compare to its first version. To me, it is one of the 1930's masterworks.
How perfect to cast Janet Gaynor in the role, an Oscar winner herself at 20 --- that child-like voice unforgettable. Fredric March, like Gaynor already a star and early Oscar recipient, world weary and helpless. The art deco, lavish production, haunting music, and scene after scene of "behind the scenes Hollywood", well they sure worked for me. "Kitsch" an old friend labeled it, but to me, memorable.
I love watching this movie --- hope you enjoy it as well.
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