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Atterbury Dodd is an efficiency expert who believes everything can be reduced to mathematics. He is sent to Hollywood to see whether Colossal Pictures is a good investment. He soon learns that movie production doesn't fit his formulaic mindset.Written by
Ed Stephan <firstname.lastname@example.org>
This is one of two dozen Walter Wanger/Harry Sherman/Cinema Guild productions, originally released by United Artists, re-released theatrically in 1948 by Masterpiece Productions, and ultimately sold by them for television broadcast in 1950. It was first telecast in Chicago Monday 19 June 1950 on WENR (Channel 7), in Phoenix Sunday 30 July 1950 on KPHO (Channel 5), in Cincinnati Saturday 26 August 1950 on WKRC (Channel 11), in Los Angeles Sunday 3 September 1950 on KTLA (Channel 5), in Boston Sunday 17 September 1950 on WNAC (Channel 7), in Philadelphia Saturday 14 October 1950 on WFIL (Channel 6), in Detroit Sunday 22 October 1950 on WXYZ (Channel 7), in New York City Monday 18 December 1950 on WOR (Channel 9), in Pittsburgh Friday 26 January 1951 on WDTV (Channel 3), and in San Francisco Saturday 24 February 1951 on KGO (Channel 7). See more »
A little way in accountant Atterbury Dodds walks through the accounts dept. A clerk gives him a slip containing a list of figures which total 1296221. Dodds says "There's an error in the addition the total should be 1296321, have the machine fixed". The total however is correct. The figures are - 63155; 122925; 57005; 54685; 404200; 56705; 122925; 54685; 305250; 54686 which total 1296221 See more »
From the moment you see an epic movie about gorillas, or performing seals in a boarding house, or horrendously untalented little kids with showbiz mommas, you know you have a marvellous Follywood spoof.
This little-mentioned or cited comedy pits snappy Joan Blondell against of all people versatile Leslie Howard, in a studio-set tale of corruption, change, and romance. You'll also find Humphrey Bogart in one of his climbing-up-the ladder roles as a crusty, hard-drinking backroom man.
Blondell plays the stand-in' of the title, that is, the girl who burns under the lights while the leading lady gets pampered and the shot gets set up. Howard is an accountant, transported into a world he doesn't initially appreciated, to discover the reason for the studio's cash-flow problems.
Do you know how it ends yet? This was the film that persuaded me of Howard's incredible gift for getting laughs as well as his dramatic skills, and I've been a fan ever since. Blondell and Bogart are also terrific, and this is a minor, but hugely enjoyable, 30s gem.
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