The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry.Written by
The name of the residence is the Footlights Club. The first shot of the interior is foot + lights - a pair of feet and a dustpan of light bulbs. See more »
Even though Kay Hamilton had recently died. When they showed her grave. The tombstone was already engraved, and leveled in place. And the grave was completely flat with grass that already needed mowing in place. Fresh graves can take weeks to settle, grave stones as well. That's why there is rarely grass on relatively fresh grave. It's usually 60 to 90 days. See more »
Very Enjoyable, With a Fine Cast and Many Other Strengths
With a fine cast and an interesting, worthwhile story, "Stage Door" is one of the best films of the late 1930's. It provides good comedy - at least if you can keep up with the fast-paced, many-sided dialogues - and some interesting drama in the lives of its characters. The characters are well-developed, even the minor ones, and this makes the dramatic developments that much more meaningful. The atmosphere is a convincing and very interesting look at life in the theater, neither overly glamourized nor overly sordid.
There is a great deal of talent in the cast, led by Katherine Hepburn and Ginger Rogers, whose characters clash in interesting ways. Adolphe Menjou is an ideal choice to play this kind of genial cad. Gail Patrick also is perfect as an elegant but venomous young performer. Constance Collier is amusing as the would-be mentor for the younger actresses. Andrea Leeds is very sympathetic in her role. Most of the other characters in the boarding house get only small stretches of screen time, but they all make good use of it. It's also enjoyable just to see the likes of Ann Miller, Lucille Ball, and Eve Arden in some of their earlier roles.
The cast is the most obvious of its strengths, but the writing is also quite good, and Gregory La Cava's direction is very good, maintaining a good pace without rushing anything, and keeping a good balance between the amusing and the serious sides of the story. Everything works very well, making for an enjoyable and thoughtful picture.
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