A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry.Written by
CORRECTION: The "Footlights Club" was based on the Rehearsal Club, not the Three Arts Club, which was not, in fact, founded by Mrs. Hammond. Three Arts was founded by Deaconess Jane H. Hall in 1903 for female students of fine arts, music and drama (not singing, dancing and acting). Mrs. Hammond was a board member, but not a founder. In 1913, Deaconess Hall co-founded the Rehearsal Club, which was a residence for professional women of the theater. Edna Ferber was very familiar with the Rehearsal Club, which by 1936 was located on West 53rd Street, and based "Stage Door" on this residence. See more »
In the scene between Terry and Tony Powell, where there is a discussion about being 'framed', Powell is initially opposite Terry across the shelf with the photos, whereas in the next shot he has moved to being at right angles to her on her left side. See more »
Superb comedy/drama about a theatrical boarding house and its tenants (all women) focusing primarily on Katherine Hepburn and Ginger Rogers. A once in a lifetime cast, all of them in top form. The movie moves VERY quickly with non-stop wisecracks flying across the screen and a very depressing turn at the end. Also, there's no sappy romance subplot - very unusual for a 1930s film. The interplay between Rogers and Hepburn is incredible--they're both holding their own against each other. Nominated for 7 Academy Awards (including Best Picture and Best Supporting Actress--Andrea Leeds). A must-see. "The calla lillies are in bloom..."
19 of 20 people found this review helpful.
Was this review helpful to you?
| Report this