An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, ...
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When the patriarch of the Toda family suddenly dies, his widow discovers that he has left her with nothing but debt and married children who are unwilling to support her--except for her most thoughtful son, just returned from China.
A young boy follows Tashiro home to his tenement housing complex on the outskirts of Tokyo, the boy who was separated from his carpenter father somehow and somewhere in Kudan. All Tashiro ... See full summary »
Ryoichi and Chikako are brother and sister. They live together. Chikako works during the day in a office and at night she prostitutes herself to fund her brother studies in univesity. ... See full summary »
Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a ... See full summary »
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada's. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.Written by
Yasujiro Ozu's 1937 "Nani wa shokujo wa wasureta" (What Did the Lady Forget) is probably his closest approach to screwball comedy. Set in (probably) the most affluent milieu of any of Ozu's film, this involves a bossy wife (Sumiko Kurushima, Japan's first female star in one of her last roles) and her doctor-professor husband and niece, who rebel against (or at least try to wriggle around) her authority. This film was the last time Ozu's pre-war ensemble would appear together (except for the one-time post-war reunion of most of them in "Tenament Gentleman") and the acting overall is first-rate. This film probably does less to explore the fundamentals of the human condition of any Ozu film -- but it is thoroughly enjoyable nonetheless. (Note: Ozu re-used some of the elements of this plot in his post-war "Flavor of Green Tea over Rice").
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