Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another... See full summary »
When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she ... See full summary »
Olivia de Havilland,
Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancée, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne,... See full summary »
Raoul McLish stops over in Miami Beach where he runs into his ex-wife, Vicky Benton, and her new husband Bob, a belt manufacturer. At first Bob enjoys Raoul's presence - in part because Vicky is his not Raoul's and in part because Raoul is a lot of fun. The fun wears thin for Bob as his seriousness and possessiveness take over. When Bob leaves for a few days to settle a labor dispute at his factory, Vicky and Raoul spend time together, Winchell's column implies untoward behavior, Bob barks at Vicky, and that gets her back up. Can things be sorted out? Help comes from Raoul's upright valet, McTavish, and a principled cigarette girl, Joy, whom Raoul picks up.Written by
In the first scene, Tyrone Power puts two cigarettes in his mouth, lights them both, and hands one to Loretta Young. This is 5 years before the same action was made famous by Paul Henreid and Bette Davis in Now, Voyager (1942) See more »
Well, you're not my valet any longer, Mac.
Beginning tomorrow you're in the ink business. You're going to be my personal representative at the factory, learning the works at first. But with your thirst for knowledge, you'll soak up the ink business like a blotter.
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Rather hysterical...and far from the stars' best work
This screwball comedy surprised me. I've already seen a few Tyrone Power-Loretta Young films and liked them very much. This one, on the other hand, was far less enjoyable and just a bit shrill--with lots of actors shouting their lines--even the usually demure Miss Young. All too often, the film seemed to try a bit too hard and ended up being a very loud and far from subtle film.
Power and Young play a couple who have divorced each other and now Young is married to dull old Lyle Talbot. When Power comes on to the scene, he claims it's all an accident and he has no intentions towards his -ex, but it's obvious to almost everyone (except poor Lyle) that Tyrone wants his wife back. In many ways, the film reminds me of several of Cary Grant's films such as THE AWFUL TRUTH and MY FAVORITE WIFE, as well as the Colbert-McCrea film, PALM BEACH STORY--though all of these films are made better. The bottom line is that there have been many similar movies that were simply written better--with better dialog and far less yelling. As a result, this is a thoroughly mediocre film and not among the stars' best.
By the way, look for Lon Chaney, Jr. in a tiny part as a reported towards the end of the film. Look fast or you'll miss him in one of his earlier roles.
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