This documentary short film looks at the devastating and costly problems, including seasonal flooding and erosion of precious topsoil, associated with the Mississippi River system and promotes more Federal projects to remedy the situation.
A group of seven-year-old British children from widely ranging backgrounds are interviewed about a range of subjects. Director Michael Apted plans to reinterview them at seven-year ... See full summary »
Created under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of the day including tenor sax legend Lester Young.
George 'Red' Callender,
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (who Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
This short Depression-era documentary describes the importance of the Mississippi River to the United States. It laments the environmental destruction committed in the name of progress, particularly farming and timber practices which cause massive erosion and result in vast amounts of top soil being washed down the river into the Gulf of Mexico. The film focuses especially on the impact this has had on impoverished farmers. It ends on a very upbeat note, however, with a celebration of the TVA, "modern" farming technology, and the use of dams to control the river and prevent flooding.Written by
Extraordinary documentary which seemingly does not age
I first saw THE RIVER in the 1950's in school, in the days when watching a movie in class didn't mean turning on the TV and popping in a VHS tape, it meant rolling in the old Bell and Howell Filmosound, putting up the screen, and watching a real 16mm projected MOVIE. I saw it two more times during my school career because it had so much to say at different levels about different things. It is the story of the Mississippi River, what it means to the land, and what we have done to it. It is, let's admit, a New Deal tract, an ecology drama, and moderately political. It is an unabashed apology for the entire Tennessee Valley Authority construction project. But that out of the way, it is a poetic and almost hypnotic (due to repetitive images)narrative, well-written and dramatically read. And it doesn't hurt that the musical score, by Virgil Thompson, is arguably the greatest musical score written for any movie (it is in its orchestral suite format a concert standard and has had many recordings, and is also available as the complete score on at least one recording). You can rent this disk from Netflix and it is worth it just for The River. I also watched its predecessor, THE PLOW THAT BROKE THE PLAINS, which I didn't like as much. I passed on the other offerings. But just for THE RIVER it is worth it. My only argument with it is that the ending loses the hypnotic poetry and simply sums up the rest of the story. That aside, it is as great a documentary as has been made.
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