| Cast overview, first billed only: | |||
| Jean Gabin | ... | Pépé le Moko | |
| Gabriel Gabrio | ... | Carlos | |
| Saturnin Fabre | ... | Le Grand Père | |
| Fernand Charpin | ... | Régis (as Charpin) | |
| Lucas Gridoux | ... | Slimane | |
| Gilbert Gil | ... | Pierrot (as Gilbert-Gil) | |
| Marcel Dalio | ... | L'Arbi (as Dalio) | |
| Charles Granval | ... | Maxime (as Granval) | |
| Gaston Modot | ... | Jimmy | |
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René Bergeron | ... | Meunier (as Bergeron) |
| Paul Escoffier | ... | Louvain (as Escoffier) | |
| Roger Legris | ... | Max (as Legris) | |
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Jean Témerson | ... | Gravère (as Temerson) |
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Robert Ozanne | ... | Gendron |
| Philippe Richard | ... | Janvier | |
Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. Is she Pépé le Moko's last chance to leave his squalid criminal haven? Written by Nick Riganas
Pepe le Moko marks a fundamental step in the aesthetic development of european cinema. It is also one of many great crime films of the thirties that is sadly overlooked in many critics top 100 lists.
Through it's lush sense of location and character Duvivier builds up a sweaty, exotic and complex picture of the underworld life of the Kasbah and the vast panorama of engagingly seedy characters especially Pepe le Moko, played with such effortlessly charismatic ease by Jean Gabin. But it is the rich claustrophobic atmosphere and the relentless pressure of the police that powers this film along to it's elegantly tragic conclusion. A masterpiece, and the clearest fore-runner to the whole film noir genre.