Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »
This is a classic swashbuckler. Rudolph Rassendyll, Rudolf V's identical distant cousin, is asked to risk his life and impersonate the would-be king when his relative is kidnapped before his impending coronation. If Rudolf V isn't present at the ceremony, he will forfeit the crown to his older half-brother. Complications ensue when Princess Flavia, the king's cousin and betrothed, begins to notice a "personality change" in her fiancé.Written by
Albert Sanchez Moreno <email@example.com>
When Antoinette de Mauban leaves the dungeon after caring for the imprisoned king, Rupert bows to her and quotes a poem. It's an abbreviated version from Walter Scott: "O woman! in our hours of ease Uncertain, coy, and hard to please, And variable as the shade By the light quivering aspen made; When pain and anguish wring the brow, A ministering angel thou!" See more »
Colman's hairstyle changes during the scene on the terrace with Madeleine Carroll. In the brief dialogue with Aubrey Smith, his hair is longer and swept back. Presumably this part of the scene had to be re-shot a few weeks later. See more »
[during his sword fight with Rupert, Rudolph "retreats" towards the drawbridge's controls]
Rupert of Hentzau:
You'd be a sensation in a circus. I can't understand it. Where did you learn such roller skating?
Coldstream Guards, my boy. Come on now, when does the fencing lesson begin?
Rupert of Hentzau:
Stand still and fight, you coward!
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Timeless Adventure/Love Story Told in the Grand Tradition
If I were to be left on a deserted island and had but one film to watch while I passed the time of day, "Prisoner of Zenda" would be that movie.
Of course it is not perfect. Some of the dialog and scenes seem dated by today's more cynical standards, and perhaps the characters lack the complexity seen in more contemporary films.
But I know of no other movie that tells its rousing story with such dash and style, while at the same time glorifying nobility of character, loyalty, honor, decency, tradition and self-sacrifice. Altogether, this is the film that shows the Old Hollywood skill of story telling at its very best, and leaves you feeling better for the opportunity to watch the great adventure and romance unfold before your very eyes.
Ronald Colman is virtually unknown today----and his presentation of the gentleman hero is decidedly old fashioned. But you believed in him and the innate integrity he brought to all his characterizations. Madeleine Carroll is a classic blond beauty perfectly cast as the princess destined to marry a king but who gives her heart to his look alike commoner cousin.
The rest of the stellar cast is outstanding. Many have pointed out how Douglas Fairbanks, Jr. as Rupert of Hentzau stole the picture as the charming villain, and they may well be right. Too bad that he got so few opportunities to show the full range of his acting ability. This is probably his best role.
Many---perhaps most of the values demonstrated in "Prisoner of Zenda" may appear rather quaint to us today. This is not because they are irrelevant. Our present society has significantly lowered the bar for what constitutes good behavior and more readily accepts and forgives what amounts to bad behavior. So-----be transported in time to a world where chivalry was still in style and honor was a virtue to be cherished. You will not be disappointed!
This is one of the truly great films to come out of the Golden Age of Hollywood.
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