Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be dying, but she, who has never traveled the world, was going to use the money paid to her by her factory to go to New York in style. She believes her dreams can still be realized when Wally Cook arrives in town. He is a New York reporter with the Morning Star newspaper. He believes that Hazel's valiant struggle concerning her impending death is just the type of story he needs to resurrect his name within reporting circles after a recent story he wrote led to scandal and a major demotion at the newspaper. He proposes to take Hazel to New York both to report on her story but also to provide her with a grand farewell to life. She accepts. Wally's story results in Hazel becoming the toast of New York. In spending time together, Wally and Hazel fall in love. Hazel not only has to figure out what to do ...Written by
David O. Selznick's name appears six times in the credits--five times at the beginning of the film and once at the end. See more »
They are inconsistent with the volume numbers on issues of The Morning Star. When Hazel first arrives in New York, the front page says it's issue is in Volume 27. Several days later, when Hazel blacks out from drinking too much, it's listed as being in Volume 22 (which would be roughly five years earlier in most real world publications). See more »
Master of Ceremonies:
Greetings, greetings! My little folks. Tonight there is one among us who adds a bit of unaccustomed drama to our little revel. She sits here, eyes sporting, a face reaved in a lovely smile; drinking in the charm, the glitter, the gay sounds - of life. So drink your wine! Laugh and applaud! While this little doomed child sits saying goodbye to you. Her last goodbye. With a grateful smile on her lips.
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Each of the stars' names are shown on a title card set beside a plaster caricature. The rest of the cast have caricatures alongside their names in the credits. See more »
Also available in a Cinecolor version "In Color". The credit for Natalie Kalmus as Technicolor Consultant is missing from this version. See more »
The writers, crew, and cast of "Nothing Sacred" really do treat everything in accordance with the movie's title. No aspect of human society is immune from the sweeping satire. The comedy is fast-paced and often very sharp-edged, and almost any viewer will find it hitting close to home at one time or another, so it is best not to take it too personally. Yet this is not a mean-spirited feature, in that it treats everyone the same way, and it shows sympathy even for the very characters whose faults it so ruthlessly exposes.
Frederic March, as a hardened newsman, and Carole Lombard, as an appealing woman who is nevertheless living a lie, make a good combination. They are both likable enough to make you care about them even when they are at their most opportunistic. The supporting cast, likewise, features several good performances, with the likes of Walter Connolly and Sig Rumann getting some fine moments of their own. William Wellman shows a good feel for the material, getting good mileage out of the story without pushing it too far.
This kind of feature is somewhat unusual even among movies of its genre. Most satires choose their targets, ridicule them, and put the opposing forces in a positive light. But "Nothing Sacred" takes no sides between the small town and the big city, between the powerful and the powerless, or between one character and another. It points out the human flaws to be found in almost all of us.
This is the kind of movie that can only be enjoyed if you don't take it personally or too seriously, because in that case the message will be misunderstood. Rather than targeting any one kind of person, it intends to make some more general points about human nature that, while sometimes rather pointed, are encased in enough humor to make them palatable.
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