Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience ...
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A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
João Grilo and Chicó are two very poor and clever Brazilian Northeasterners who struggle for survival and trick people to get by. After meeting the wealthy Rosinha, both hope to finally ... See full summary »
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo, where the population is nearly double its 4,000 maximum. Doc learns from experience and mainly stories the tragic stories of hideous crimes which landed scum there and passionate dramas adding otherwise decent people. Just when he believes to leave the prisoners happy with a soccer tournament, a silly clothing line argument kick-starts a politically opportune revolt repression.Written by
Dr. Drauzio Varella wrote the original book at the encouragement of a patient he was treating for lymphatic cancer. That very patient happened to be Hector Babenco, who recovered and went on to direct the film adaptation. See more »
One of the inmates is wearing a Brazilian national team football shirt with four stars, representing the four times that Brazil was FIFA world-champion. But the movie ends in the massacre of 1992, two years before they won the fourth title. See more »
I've come to take the test.
Médico - Physician:
Please, take a seat. First, I'd like to ask you a few questions, Lady Di.
I've seen this movie before, doctor. I've never needed a blood transfusion and I never pierce my veins. The only drug I use is a joint now and then... when I watch TV or for a little romance.
Médico - Physician:
And partners, how many?
Oh, about 2000.
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Carandiru is a a very good film. I think it is not the best Babenco's movie (e.g. not so good as Pixote) but yet it is one of the best film I have seen during this last year.
In the first place, it should be remarked that it needs a lot of courage to put on screen the beautiful and crude Varella´s book on the day-by-day of prisoners of the Sao Paulo jail Carandiru (once the biggest jail on Brazil, now demolished). In particular the movie shows one the the darkest pages in the recent Brazilian history, namely, the massacre occurred in that jail in October 1992: during a rebellion, the police invaded the prison and killed summarily 111 prisoners. Not a single policeman was even injured during the action.
In order to understand the movie, I think is very important to stress how deep has been the relevance of this sad and cruel event in the slow evolution of the Brazilian society towards less barbarian standards. At the time of the massacre most of the elites, media and middle class supported the police action and only ten years later, in 2001, some of the authors of the massacre has been put on trial. In other words the Carandiru tragic facts of 1992 and the way they have been so differently evaluated here during these years, reveals in a tragic fashion one of the most explosive contradiction of the present Brazilian society, in which a large majority of the Brazilians is completely excluded and plundered.
The movie of Babenco show this clearly and powerfully. Babenco used different kind of approaches. Most of the time the tone of the movie is realistic even bordering a documentary, but there are scenes in which the movie becomes visionary.
I am not surprise that the film was not well accepted in the recent Cannes festival. Critics from the first world are not expected to know much about the actual situation of Brazil (euphemisticly speaking). The fact is that Brazil in the USA/Europe imaginary continues to be unfortunately the country of carnival, football and samba and dark crude point of view such as the one of Babenco tend to be considered as disturbing or worst boring. So, while in the preview session for the press in Cannes 2003 most of the comments were "too long", this nearly three hours movie is one most
seen of the year in Brazil.
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