... in that the script consists of tons of tired cliches - the guy who has to learn there is no I in team, the sister of one friend being the heartthrob of the other friends and sprouting a rivalry, the good guy with a deep secret that may derail his noble pursuit, the ancient relic who is almost a mascot because he has been around so long - nah, that was because Lionel Barrymore was a great actor who was becoming disabled as this film was being made, plus Louis B. Mayer was never going to fire a fellow old white guy with whom he identified. Plus - The Navy! - the armed forces and costume dramas became a common theme right after the production code was ushered in because patriotism always passed the censors. But, the performances and the chemistry between the main players makes this worth watching. Take that away and it would be a 6/10 at best.
This is the film that got James Stewart noticed. I've never seen him turn in a bad performance, but prior to this his assignments included warbling in a MGM musical, playing a crazy vengeful lover, and a bit part as the country bumpkin consolation prize boyfriend. This time he gets more of a spotlight and gets a part with more heart that really shows off his talents and his personal appeal.
The only thing that doesn't ring true in this film is Florence Rice, third billed, as a debutante who becomes the object of romance of two friends. Rice was pretty enough, but she was dull as dishwater. Perhaps MGM was trying to give her a build up and it didn't work out.
I'd recommend this one. There isn't any wasted space in it and the performances do make all of the difference.
