At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?Written by
Rod Crawford <firstname.lastname@example.org>
After seeing the day's mail, Lucy sits forward, but in the next shot is leaning back. See more »
A man and a maid stood hand in hand; bound by a tiny wedding band. Before them lay the uncertain years that promised joy and, maybe tears. "Is she afraid?" thought the man of the maid. "Darling," he said in a tender voice, "Tell me. Do you regret your choice? 'We know not where the road may wind, 'or what strange byways we may find. 'Are you afraid?" said the man to the maid. She raised her eyes and spoke at last. "My dear," she said, "the die is cast. 'The vows have been spoken. The rice has ...
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An elderly couple lose their home and their grown children don't want them around, so where can they turn? After a creaky start, this thoughtful film becomes absorbing and very touching. It thankfully never resorts to feel-good measures: the oldsters are not painted as saints (in fact, Beulah Bondi's "Ma" is realistically nagging and nosy) and their kids are completely selfish (which is entirely believable). The picture has one of the most haunting endings that I can recall, and it's even more powerful to consider how timely it all is (and how this situation still rears its ugly head today). An emotionally gripping, wistful, memorable movie. ***1/2 from ****
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