Young lovers fall afoul of repressive society as Salem elders get caught up in the witch hunts and trials of 17th century Massachusetts. One family in particular uses the hysteria to its ...
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Young lovers fall afoul of repressive society as Salem elders get caught up in the witch hunts and trials of 17th century Massachusetts. One family in particular uses the hysteria to its advantage, getting even with everyone for every slight--real or imagined.Written by
Ed Lorusso <email@example.com>
Speaking of Satan, I also you bid ye beware the frivolity and foolishness of women that bedeck themselves with ribbons, curls and lace bonnets, thus causing the minds of men to, to wander. I tell you that a female that will fritter away her time, trimming and tricking herself out in such a fashion, should be looked upon as the mere gizzard of a trifle . The mere epitome of nothing and a very apt prey for the Devil.
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Pre-"Crucible" examination of a witch-hunt; curious, but unsuccessful...
In 1692 Salem, a devious child's lies about a slave's involvement in witchcraft sends an entire community into an uproar. Costume drama starring Claudette Colbert and Fred MacMurray isn't stuffy, though neither is it a vivid depiction of contagious hysteria. Worked on by three writers (Walter Ferris, Durward Grimstead, and Bradley King), the story elements are rather interesting (especially coming out of Hollywood in 1937), though to anyone who has since read Arthur Miller's "The Crucible", the hoked-up melodrama on display here won't be tolerated for very long. Biggest problem with the picture may lie in the casting: Colbert and MacMurray are an ill-matched pair of lovers hindered by the witch-hunt, MacMurray being far too contemporary a presence for these surroundings. *1/2 from ****
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