High Flyers

I first heard of the comedy team of Wheeler & Woolsey when Chris Costello mentioned them as one of several of those movie teams that had come before her father Lou and Bud Abbott invaded the cinema themselves in her book about her dad. In another book called "Abbott and Costello in Hollywood", their routines were compared to Bud & Lou's. When I was in Jacksonville, FL, during the '90s, I saw a few of their films on AMC which I managed to enjoy. So I'm now reviewing what turned out to be Bert Wheeler and Robert Woolsey's final movie as a team as the latter would pass on not long after its completion. I found them as funny as ever and I also liked the supporting turns by Lupe Velez (especially during her two numbers of which one of them is with Woolsey) and usual Marx Brothers foil Margaret Dumont. The plot is all over the place so I won't go there but I was also charmed by Wheeler's Charlie Chaplin impersonation when tap dancing, not so with his blackface shtick! So on that note, High Flyers Is worth a look.

A couple of zany HIGH FLYERS find themselves involved in the hunt for missing stolen diamonds.

The wonderfully funny team of Wheeler & Woolsey (Bert Wheeler is the little guy with curly hair; Robert Woolsey is the skinny fellow with glasses & cigar) provide lots of solid laughs in this fast moving comedy crime caper. Of course, crash-landing on a millionaire's estate inhabited by peppery Lupe Velez, lovely Marjorie Lord & the monumental Margaret Dumont might raise anyone's spirits.

Jack Carson is hanging around as a crooked reporter, while an exasperated Paul Harvey tries to figure out why his household is suddenly so topsy-turvy. Maybe it has something to do with the trio of gentlemanly criminals - Charles Judels, Lucien Prival & Herbert Evans - who have arrived, hot on the Boys' trail.

Lupe & Woolsey perform a wildly exuberant gaucho number, while a solo Velez gets to do devastating impressions of her Hollywood rivals Dolores Del Rio & Simone Simon. Not to be outdone, Wheeler is terrific mimicking Charlie Chaplin & Bill Robinson. Dumont, meanwhile, provides chuckles as a matron infatuated with crystal gazing.

Ultimately, though, HIGH FLYERS is rather bittersweet, as it was the last Wheeler & Woolsey film. First brought together by Flo Ziegfeld for Broadway's Rio Rita, the Boys had starred in 22 features from 1929 until 1937, carving out a unique niche in the history of movie comedy.

Tragically, however, even while filming for HIGH FLYERS was underway, Robert Woolsey was already stricken with kidney failure. After a year of horrible suffering, he died on October 31, 1938. He was only 50 years old.

Bert Wheeler continued on in films for awhile, making a handful of unremarkable movies. But the spark that came from his association with Robert Woolsey was gone. When, at the age of 72, Wheeler died on January 18, 1968 from emphysema, it was more than 30 years since the release of the final Wheeler & Woolsey film. The Boys - energetic, hilarious & ever so eager to please - had slipped into almost complete cinematic obscurity.

Jerry Lane (Bert Wheeler) and Pierre Potkin (Robert Woolsey) are carnival barkers offering a ride, but they have never piloted a plane. Smuggler Dave Hanlon tricked them into flying a real plane. It goes badly and they crash onto the Arlington estate. They have a series of misunderstandings. They fall for the daughter Arlene (Marjorie Lord) and the maid Juanita (Lupe Velez).

I don't find the guys funny. They don't get one single laugh even when one of them try to play the Chaplin tramp. One does a black-face dance and Arlene claims that it's the funniest thing ever. The only slightly funny one is Juanita with her exaggerated Latina character. There is some song and dance mixed in. It's not the best, but at least, that's somewhat fine.

The awesome comedy team of wheeler and woolsey, in one of their later full length films. Starts with a synchronized swimming bit in a pool, sung by "a chorus", according to imdb. W & W are Lane and Potkin, running a shady sideshow bit that is on the verge of getting in trouble with the law. They are working with Hanlon (Jack Carson) and get caught up in a jewel heist. They land (crash) a plane in the yard Horace and Martha, (a skinniy Margaret Dumont), mother of the bride to be. Lupe Velez is Juanita, the maid, who is clearly stealing the show. And maybe the jewels! It's fun... W & W's usual gags, wordplay, and pratfalls. Very loosely tied up in a plotline. Features an interesting pontoon Sikorsky convertible seaplane. See the trivia section for details. Directed by Ed Cline... he made five of these with the boys. Based on the play by victor mapes. It's good, but my personal favorite is Peach O Reno. Sadly, after so many great roles, Carson died young at 52 from cancer. Woolsey himself died at 50 of kidney failure, after making this film.

I have long been a fan of this pair.More for the characters than the actual humour.After all the jokes are rarely funny now.I have only just seen this final film of theirs,and i have to say that this is a sad finale to a double act which i have much enjoyed.I think that RKO must have had their doubts because they have cast Lupe Velez,presumably to bolster the laughs.Unfortunately it does not work.She is on one level the boys on another.This film even manages to make the great Margaret Dumont seem unfunny.Also i have to say that poor Robert Woolsey seems to be quite strained,if you look at his face.Sadly,it isn't funny and is a poor epitaph.